astro- not to belabor this, because i think at this point you are trying to take me to task for something, but the issues you present are:
1. What does the Classic remaster of this record sound like, compared to an earlier pressing, in particular a pink Capricorn that I described. This will take me time to do. If you need me to explain why, it takes a minimum of 45 minutes for my amps to warm up. We are in the midst of electrical storms here, and I pull power to my gear, so I can't just run upstairs and make the comparison in "real time." I will do so when time and circumstances permit, as I offered to do.
2. You also take issue with my comments about soundstage, in connection not only with this Allman Bros album, but in other postings I made. I said I am happy to address the topic of soundstage separately. If you are familiar with my site, just go to the about page and scroll to the bottom, where there is a link to "system notes." I pretty much summarize what my biases are, and where I think the relative importance of soundstage fits in my overall worldview.
1. What does the Classic remaster of this record sound like, compared to an earlier pressing, in particular a pink Capricorn that I described. This will take me time to do. If you need me to explain why, it takes a minimum of 45 minutes for my amps to warm up. We are in the midst of electrical storms here, and I pull power to my gear, so I can't just run upstairs and make the comparison in "real time." I will do so when time and circumstances permit, as I offered to do.
2. You also take issue with my comments about soundstage, in connection not only with this Allman Bros album, but in other postings I made. I said I am happy to address the topic of soundstage separately. If you are familiar with my site, just go to the about page and scroll to the bottom, where there is a link to "system notes." I pretty much summarize what my biases are, and where I think the relative importance of soundstage fits in my overall worldview.