The way I look at it: the ticks and pops (which can be minimized with good phono preamp design, as a poor design will have a lot more ticks and pops) exist in space separate from the music. With digital, the coloration is inherent in the music itself.
Regarding the former: if the preamp is unstable, ticks and pops are exacerbated. This is nothing to do with bandwidth- its possible to design a phono preamp with 100KHz response and still have it be stable.
Regarding the former: if the preamp is unstable, ticks and pops are exacerbated. This is nothing to do with bandwidth- its possible to design a phono preamp with 100KHz response and still have it be stable.