Gentlemen,
I'm amending my conclusion regrading that the SET 2A3 was some what lacking in over Db levels/dynamics/transparency compared to the Micro-ZOTL used as an amplifier.
I discovered after I posted that I had not total disengaged a volume control on the SET amplifier that was leading to the prior shortcomings that I had talked about. Now, the Micro-ZOTL as a line-stage with the SET 2A3 is a magical combo on all types of music and will play at higher volume levels, with great bottom end control, then the Micro-ZOTL by itself through the DI's.
I'm amending my conclusion regrading that the SET 2A3 was some what lacking in over Db levels/dynamics/transparency compared to the Micro-ZOTL used as an amplifier.
I discovered after I posted that I had not total disengaged a volume control on the SET amplifier that was leading to the prior shortcomings that I had talked about. Now, the Micro-ZOTL as a line-stage with the SET 2A3 is a magical combo on all types of music and will play at higher volume levels, with great bottom end control, then the Micro-ZOTL by itself through the DI's.