The new Synergistic Research BLUE fuses ....


New SR BLUE fuse thread ...

I’ve replaced all 5 of the SR BLACK fuses in my system with the new SR BLUE fuses. Cold, out of the box, the BLUE fuses stomped the fully broken-in SR BLACKS in a big way. As good as the SR BLACK fuses were/are, especially in comparison with the SR RED fuses, SR has found another break-through in fuses.

1. Musicality ... The system is totally seamless at this point. Its as if there is no system in the room, only a wall to wall, front to back and floor to ceiling music presentation with true to life tonality from the various instruments.

2. Extension ... I’ve seemed to gain about an octave in low bass response. This has the effect of putting more meat on the bones of the instruments. Highs are very extended, breathing new life into my magic percussion recordings. Vibes, chimes, bells, and triangles positioned in the rear of the orchestra all have improved. I’ve experienced no roll-off of the highs what so ever with the new BLUE fuses. Just a more relaxed natural presentation.

3. Dynamics ... This is a huge improvement over the BLACK fuses. Piano and vibes fans ... this is fantastic.

I have a Japanese audiophile CD of Flamenco music ... the foot stomps on the stage, the hand clapping and the castanets are present like never before. Want to hear natural sounding castanets? Get the BLUE fuses.

4. Mid range ... Ha! Put on your favorite Ben Webster album ... and a pair of adult diapers. Play Chris Connor singing "All About Ronnie," its to die for.

Quick .... someone here HAS to buy this double album. Its a bargain at this price. Audiophile sound, excellent performance by the one and only Chris Connor. Yes, its mono ... but so what? Its so good you won’t miss the stereo effects. If you’re the lucky person who scores this album, please post your results here.

http://www.ebay.com/itm/ULTRASONIC-CLEAN-The-Finest-Of-CHRIS-CONNOR-Bethlehem-Jazz-1975-NM-UNPLAYED-...

Overall impressions:

Where the RED fuses took about 20 hours to sound their best, and the BLACK fuses took upwards of 200 hours of total break-in, the BLUE fuses sounded really good right out of the box ... and that’s without doing anything about proper directional positioning. Not that the BLUE fuses don’t need breaking in, they do. The improvement continues through week three. Its a gradual break-in thing where each listening session is better than the last.

Everything I described above continues to break new ground in my system as the fuses continue breaking in. Quite honestly, I find it difficult to tear myself away from the system in order to get things done. Its truly been transformed into a magical music machine. With the expenditure of $150.00 and a 30 day return policy there’s really nothing to lose. In my system, its like upgrading to a better pre amp, amp, CD player or phono stage. Highly recommended.

Kudos to Ted Denney and the entire staff at SR. Amazing stuff, guys. :-)

Frank

PS: If you try the SR BLUE fuses, please post your results here. Seems the naysayers, the Debbie Downers and Negative Nellie’s have hijacked the original RED fuse thread. A pox on their houses and their Pioneer receivers.

Frank



128x128oregonpapa
 
It’s an incredible confidence in your own subjective assessments, 
Nope. I'm the most cautious person you'll ever meet. Almost to a fault.
And, I'm totally with you on the purpose and need for science. Big time.
But when it comes to expectation bias, I don't see how it applies here as I never know what to expect. I'm not looking for a big improvement. I wait, listen, evaluate, and proceed, keep it or return it.

Kind of sciencey, wouldn't you say?

I feel for your son and what you and your family went through but the medical analogy isn't a good one. The times frames are so far off as to make them non comparative. That, and the incredible amount and range of emotions and fears. 

A more fitting one would be tuning a car by ear. Back in the good old days those who didn't have a strobe had to do it by ear. Distributor timing, valve tappets, jetting carbs, etc. Or adjusting the temp of the water in the shower just by listening (yes, I can tell and I hope anyone in this hobby can do that basic task). 

As for hearing above what my hearing test says is impossible, don't forget harmonic overtones (ask any pipe organ fitter). One can't hear above a test tone but can discern musical information up there where it "can't" be heard. Add in a super tweeter and all those harmonics that can't be heard suddenly change the event for the better. Add in a sub and suddenly you have presence that you can't hear but feel and even sense, before you can feel.

So, no, I don't think science has it all wrong and I honestly don't see how you could come to that conclusion simply because I can hear the difference a fuse makes, without first doubting myself and then testing myself. 

Try it for yourself and then tell us what you heard. Once you've tried it, it'll be prima facie, with no need to go any further. You'll scratch your head, ponder for a moment, then smile and just enjoy the music.

All the best,
Nonoise




@nonoise

But when it comes to expectation bias, I don’t see how it applies here as I never know what to expect. I’m not looking for a big improvement. I wait, listen, evaluate, and proceed, keep it or return it.


Again...this way of thinking simply doesn’t take into account how bias actually works. Which I’d already explained.

Kind of sciencey, wouldn’t you say?


Not at all. You aren’t taking into the account important variables such as bias and the fallibility of your perception.
Perceptually, even if you don’t have any expectation either way, if you are even listening for differences, it can result in you perceiving "surprising" differences that don’t actually exist.

And you don’t even have to be necessarily looking for a difference. Our perception alters at different times for all sorts of different reasons, so we may suddenly "hear" a difference we didn’t expect, then wonder "what caused that difference?" and find something to attribute it to. "Hey, I replaced the caps in my amp a few days ago, I guess that’s the cause!"

It’s just how humans work - we look for cause and effect, but we are often wrong.

(I've mentioned before that I recently changed my music sever/streamer.  I had no expectations at all for any sonic change but...out of "nowhere" when I was listening I perceived a change in my system, it sounded distinctly more pinched and brighter than I ever remembered.  The only thing I'd changed recently was my server so, naturally, I wondered "could that be the cause of what I'm perceiving?" 

So I had a friend help me do a blind shoot out between my old and new server.  Results: I could not hear a bit of difference between them.  So...my natural inclination to assign causation to the new server, as understandable as it may be, was wrong.   And, funny thing, since doing that test I don't even perceive this difference any more.  My system sounds like it always did.

But if I only had the mindset of the subjectivist I would no doubt have taken on the new belief that my new music server altered the sound.  (And I may well have spent more money trying to "solve" a problem that wasn't there, adding more subjective-based tweaks or a new server).



I feel for your son and what you and your family went through but the medical analogy isn’t a good one. The times frames are so far off as to make them non comparative.


That doesn’t make sense. Human bias and errors of perception occur over any range of time you want to mention. And in the study, someone takes a pill and...usually...symptoms occur shortly after - placebo or otherwise. And they report this. How is that "time frame" off or not relevant? (Symptoms are also reported over longer periods of time - days, weeks, so the span between "immediate" and over time is covered in the type of placebo/bias effects I’ve referenced).

As for hearing above what my hearing test says is impossible, don’t forget harmonic overtones (ask any pipe organ fitter).

If you fail to detect a tone above 20Hz in a hearing test...you’ve failed to provide evidence you can hear above 20Hz.

If you want to say "but I can hear overtones above 20Hz when added to tones below that" then, again, that could be tested for. And if you fail to reliably detect these added above 20Hz overtornes, you’d have no basis for claiming you can hear them.

Add in a super tweeter and all those harmonics that can’t be heard suddenly change the event for the better.


How was this determined? The same way audiophile fuses and AC cables are evaluated, by sighted listening? If so, your claim begs the question. But if it is determined that you can hear overtones above 20K by careful evaluation of measurements and testing human perception, then that just makes my point about the relevance of controlled tests.

Add in a sub and suddenly you have presence that you can’t hear but feel and even sense, before you can feel.


Sure, but it’s well known and tested that human hearing extends to subwoofer territory. If you can, in fact, hear when a subwoofer is on or off...that would be easily testable in blind testing (and human low frequency perception has been tested this way).

So where are similarly controlled tests that would suggest the audibility of audiophile fuses, much less expensive power cables etc? (The link you mentioned earlier was an interesting start, but again, doesn’t seem to easily survive some of the scrutiny I’ve seen).

So, no, I don’t think science has it all wrong and I honestly don’t see how you could come to that conclusion simply because I can hear the difference a fuse makes,

My point isn’t really that you think science has it all wrong. As I said, people think science is great for other things...but just not for showing their own beloved perception to be in error.

You seem to be making this type of exception for your own senses, and the confidence you place in your own subjective assessment....when there is so much science showing why you should be more skeptical.

Thanks, and cheers!









Here is a fun exercise to try.

What’s needed:

1) music server with random play
2) two or more different masterings of the same release ripped to music server.

Have the music server play tracks randomly and see if you can tell which is from which mastering.

If you consistently can Mazel Tov you have a good quality setup and good ears.

If you can’t, well not so much.

Maybe you could even hear different fuses if the bias were similarly eliminated? If not eliminated, well then you are biased! Thinking you are not biased does not make it so.
@prof 

I appreciate the feedback but I think you're much too rigid an objectivist (not the Ayn Rand type). 

As a discipline, it's fine. As a guiding principle, sure, but the lengths you go to border on religion: not to be violated at any cost. That I can't abide.

Just. Try. A. Fuse. 

All the best,
Nonoise
One of you have a contact it seems to SR's inventory.
And finally ... rest assured, the fuse sales are going just dandy


Seeing they advertise here just get Synergistic Research to personally post here and back these claims of the "fusers" of transformation of system sound quality and the direction-ability of these fuses. It could only help give these "fusers" and the fuses some credibility.

Cheers George