nsp
Peppe ’s music is extraordinary. You can almost touch the magic sound that comes out of his instrument, that vivid and palpable mark it leaves. I was introduced by a friend into jazz giants but in the process and in my complete ignorance (that poor knowledge still continues to be) have discovered Peppe by myself. I remember that I said to myself: Omg, who this guy is? Later found out that I run into one of ’the world’s great altoist’ as Scott Yanow, American historian and jazz reviewer once said for Peppe.
I very much like this one
Art Pepper ’The Prisoner’
https://www.youtube.com/watch?v=5utT5yiQAOomade by Karen Lawrence’s song ’Prisoner’
https://www.youtube.com/watch?v=cPFOIBwKf5Q mistakenly thought to be the song written by Barbra Streisand
https://www.youtube.com/watch?v=gjMR-A5AaH8- came to be a huge hit after the song was used as the soundtrack for the movie ’Eyes of Laura Mars’
Lyrics
"I’ve never been wrong
But you’re the the only one I trust to show me the way
I always hear your voice
And in my dreams I hear you calling my name
What is it about you?
Some kind of light shines from your face
And I can’t turn away.
I’m like a prisoner
Captured by your eyes,
I’ve been taken
And I’ve been hypnotized..."
***
As for the Dusko in related to Miles, Frogman said it all. And so did you in one of your latest postings.
In my opinion, I am quite sure that, the more the artists ’work’ on themselves and their art, the more they are able to shape their own and recognizable sound in the process. I think it’s inevitable. Will they try to suppress their signature or let it out on the open, I guess that’s the matter of their choice & courage & arrogance.
Personally, I prefer lousy original over excellent copy (replication).