The clip was not meant as a good example of “Fever”We got it fro, but wanted to emphasize our Fever version. (Mine is that one from the Elvis, the king. But even though that’s not the point here, it doesn’t hurt to mention.)
Bernadette is such an actor. Her acting abilities serves her singing well. The way she moves, compensates what she wanted to say through words/voice only. Her performance is quite opposite to the one’s from Norah that I posted.
It is interesting for me to see how much body language a stage singer uses as opposed to the purely voice interpretation (if such barely exists). How much of the body interpretation should be there to be sent out to the audience and how much of the share goes to voice interpretation only? Where is the balance? I guess this one is unanswerable and can be taken nearly as rhetorical question.