Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
orpheus10
Think positive, be strong. Remember we are in a battle our whole life, from the fight to take our first breath forward . My prayers go out to you.
I will search out some Wynton music and post it when I have time. Summertime leaves less time at my computer as I enjoy the warmer weather.
BTW - I always understand frogman when he speaks technically about music and I am not a professional musician, just an amateur.   

...further more...I've read that none studio recording of Johnny Griffin can represent how good actually he played as he was suffering from claustrophobia, so any studio session was discomfort was him...so,never he desplayed as same as live...

Its been said for Oscar Wilde that none of his plays was so brilliant as man himself, seen and heard in relaxed company.

Jazz, played and listened,when was on its peak, was in different historical and social times. Now, we can all agree, is not so relevant, present or popular among population.
The audience is now more 'passiv' element than before. (correct me if I am wrong)

My questions are...

Does the lack of interaction with 'public' and life itself on more intimate and every day level makes the todays jazz different than one from before?

Is it possible for an art form to grow without such relation and does that makes jazz 'dead' except as an form of expression of people who are practicing it ?

Could that be said for other music art forms as well?
Rock is also dead, isn it?

Is there any chance that we shall hear some 'new' Beethoven or Miles?

How about movies? Has anybody seen any new good western?
One in every ten years....if

That does not mean that there are not any good films any more.....that does not even mean that lots of movies are not basically westerns....because they share the same story concept....the good guy, the bad one and the duel at the end...

But, their form of expression is very different

Is it possible to apply the same analogy to jazz, because except for the same instrumets and similar conception in performance, we are looking/hearing at two very different types of music, but we are calling them by the same name?

Now, having said that, I must also say that I am disappointed that you still feel the need to make unnecessary judgments and characterizations about what music may mean to someone other than yourself. Very presumptuous of you and quite off the mark. “....just a statement of fact”? Hardly. To be blunt, O-10, don’t think you know what you’re talking about. I hope I don’t have to explain why someone might find such unnecessarily personalized characterizations to be offensive. As always, hoping for healthier dialogue.

I would appreciate it if everyone came back to this, and explain what Frogman is saying, because I don't have a clue; there are so many alternate explanations, but he said it in reference to the following paragraph.


I have come to the conclusion that you and I (meaning me and Rok) agree more than we disagree on the definition of jazz, because your definition is more emotional, as opposed to Frogman's definition which is more intellectual. Jazz with an intellectual bent can be ever so good, but it lacks "Blacknuss".