Upgrading sub to get a live feel.


I currently have a set of JBL 4319 which has its history as 4310. They are studio monitors and as a result they sound like studio monitors you hear everything, but they lack the physical presence on the low end. They have wonderful mid range and voice presence. I also have a pair of SVS SB1000 to help with the low end. 

I want to eventually upgrade to JBL 4367 with upgraded pair of subs, for this reason, but in the mean time would a sub upgrade be considered before the speakers. 


thewatcher101
From a slightly different angle. Depending on the condition and value of the car, with 911s you do not want to deviate so far as to not be able to return the car to stock. Use drivers that fit in the factory locations. Do not cut into or drill any metal. Otherwise have fun. Most 911 guys will tell you that you already have the best sound system going, 6 cylinders screaming away behind the rear axle:)
phusis,

Tapped horns are awesome, make mine a DTS-10.

I am not a big fan of 6th order enclosures, they lean towards a narrow frequency range and have to built perfectly to specification or it all falls apart. For high output with limited space, 6th order enclosures have a place. There is a reason the SPL car guys use them. I did build and use a 4th order bandbass for a car for several years, but that was when power was limited and it gave good output for the space.

@mijostyn, point well taken. Other than the Turbo tie rods and the Bilstein cartridges inside the Boge struts in the back, the car is stock and I intend to keep it that way. I've owned the car for 1/3 of its life. It's not a looker and has over 200,000 miles, but the tech servicing the car keeps it in tip top shape and it's always fun to drive. So now it's time to send it to the spa to get it spruced up a bit.
mcreyn:"You can also continue to believe that your 2.7s extend with any authority to 35 hz, they start to roll off in the 50hz range and will quickly slap the panels when trying to reproduce any type of deep bass. If you would high pass the 2.7s they will sound less dark and sound cleaner after being relieved of trying to handle the deep bass. Did I mention I owned a pair of 2.7s for more than a decade which were run both full range and with an active crossover?
Those that get so myopically focused as to believe there is only, or decide they already know it all, never learn and never develop further."

Hello mcreyn,

      You're likely not aware of how well your 2.7QRs reproduced bass because of the amp or amps you used to drive them. In my experience, they performed better over their entire frequency range with more powerful amps that have high damping factors. 
    The 2.7s are 3-way speakers and actually have a rather large planar-magnetic dipole bass section in each panel (625 sq. inches). I was previously driving mine with an Aragon stereo class AB amp that was rated at 400 watts into the 2.7's 4 ohm load and the bass was decent. Their bass performance noticeably improved when I switched amps to a Class D Audio stereo amp that was rated at 440 watts at 4 ohms and with a damping factor >1,000 and later they produced the best bass I'd ever heard from them when I switched amps again to a pair of D-Sonic class D mono-blocks rated at 1,200 watts each at 4 oms and the same very high damping factors.
    Your statement that "You can also continue to believe that your 2.7s extend with any authority to 35 hz, they start to roll off in the 50hz range and will quickly slap the panels when trying to reproduce any type of deep bass." is definitely and categorically false when the 2.7s are driven by sufficiently powerful amps with very high damping factors. I didn't measure the exact in-room bass extension but, by ear, the 2.7's rated bass extension of 35 Hz seems accurate and there was absolutely zero panel slapping occurring at anytime. I've had that occur on previous Magnepans I've owned and know what that sounds like.
    I think the 2.7's bass by themselves would more than meet the needs and expectations of most, including myself, but it lacked a bit of the visceral bass you feel as well as hear that gives the perception you're listening to live music unless I cranked the volume up to halfway. I don't always like to listen to music that loud so I continued to use the two 12" subs. This worked well but I thought the bass detail, impact, dynamics and blending with the 2.7s could be improved upon.
    I began thinking a pair of more expensive and higher quality subs might improve the performance in these areas but stumbled on the Audio Kinesis Swarm 4-sub DBA concept during my search for a very high quality pair of subs for about $5K or less.  I decided to give the Swarm an in-home free tryout first at $2,800. I think I may have previously mentioned how well the Swarm 4-sub DBA system performed in all the important bass areas in my system.
    You stated: " Those that get so myopically focused as to believe there is only, or decide they already know it all, never learn and never develop further."
    I think my path described above disproves the accusations that I'm myopic, believe there's only one solution, know it all and never develop further. The truth is I was willing to try two different amps of a type I'd never used before, gained practical bass system knowledge and experience by utilizing several different supplemental bass methods in my system such as a single sub, dual subs and even a sophisticated and advanced method using four subs strategically positioned and configured. Now that I've thought and written about some of my audio journey,  I know that none of your descriptions apply and the more fitting description would be open-minded, willing and daring enough to try various methods and gear to gain knowledge and experience. Perhaps I should change my user name to audioadventurer.
     Finally, you stated " If you would high pass the 2.7s they will sound less dark and sound cleaner after being relieved of trying to handle the deep bass. Did I mention I owned a pair of 2.7s for more than a decade which were run both full range and with an active crossover?"
    Were they black and did you sell them to a guy from Indiana that met you in a parking lot in Dayton, Ohio for the $1,200 transaction?  If so, that was me.  Hah!, that would be unbelievable.   Maybe you'd have kept them if you had a better matched amp or amps to drive them.
     I did try running the 2.7s high pass filtered through the Swarm's amp/control unit, trying various crossover settings between 100 and 230 Hz and was expecting the 2.7's to benefit.  I believe I didn't get the typical sound quality gains from high passing the mains because my D-Sonic mono-block amps, at 1,200 watts each, were not overtaxed driving the 2.7s full-range. 


Later,
Tim
Clio09, any 911 can be a valuable car as long as it has not been wreck, is not rusting and has not been modified. You want to use the factory mounting points for speakers and electronics that fit in the factory space. Outboard woofer enclosures are fine. No cutting or drilling metal! If the car is a renegade then the sky is the limit.