Why the obsession with the lowest octave


From what is written in these forums and elsewhere see the following for instance.

Scroll down to the chart showing the even lowest instruments in this example recording rolling off very steeply at 40 Hz.

http://www.homerecordingconnection.com/news.php?action=view_story&id=154

It would appear that there is really very little to be heard between 20 and 40 Hz. Yet having true "full range" speakers is often the test of a great speaker. Does anyone beside me think that there is little to be gained by stretching the speakers bass performance below 30-40 cycles?
My own speakers make no apologies for going down to only 28 Hz and they are big floor standers JM Lab Electra 936s.
mechans
In my glance, I noticed that nobody mention SPL levels. Just because a speaker can go down to 30hz, does not mean it can do so with any authority or cleanly at listening levels. I can build a 5 1/4" subwoofer that will go down to 20hz, but it will only do it at 60dbs or so. To get 100 dbs at 40hz takes at least a single 12" subwoofer with pretty good excursion.

Many high end speakers at decent volume levels will play the 2nd order harmonic nearly as loud as the first. So often what people mistake as hearing as 30hz bass is the 60hz harmonic. In most acoustic music there isn't a lot of bass below 40hz,but you do get ambience from the sub bass of the room when you have speaker that reproduce it.

As far as obsessed, you haven't seen anything. Go over to the AVS forums and see what those nutballs are doing. Most want to be able to produce 115dbs at 20hz and some are getting 120dbs at 10hz. They are now pushing below the 10hz level, some as low as 5-6hz. Whatever you do over there, don't mention anything about amps sounding different or cables, you will get piled on.
I see the value in having clean bass down to 20hz, and I
agree that much of the value comes from the sense of venue
that those very low frequencies can provide, and if could
have it without tradeoffs that would be great, but there are
tradeoffs indeed and Larryi articulated them very well. It
took me a long time to break away from the obsession and
accept that in many ways the Merlin VSMs with a brick wall
at 28hz and a sharp drop off at 32hz were more musically
satisfying that my previous speakers that were +/-3db at
20Hz. I would take that extra bass if I would not loose that
Merlin midrange and resolution and the ability to run with a
relatively low-power OTL, but I have not found a speaker
like that. The benefits of deep bass are real, but so are
the liabilities that come along with speakers that can do
the deep bass thing. Perhaps with some price-no-object gear
you can have it all, but at relatively real world prices I
would seek to compromise some of that deep bass for other
values. The fact that I listen to acoustic jazz 90% of the
time I'm sure has something to do with that perspective.
The reason most hifi home audio gear has almost always been spec'ed from 20hz-20000khz is because that covers the useful range in the audio spectrum that people can generally hear.

Individual hearing ability varies though. Many cannot hear this full range and some may be able to hear even more, but these are fairly rare and extreme outlier cases.

Many recordings have little or no content towards the extremes. Some good ones do though.

Put the common limits of human ears and the recordings played together and the cases where a low end of consequence exists, can be heard and the listener actually cares are relatively few.

If you care, in general you will pay a premium of some sort generally to enable it in a home system in a quality manner that does not negatively impact all the other good stuff.
Onhwy61,

I think Mapman's quote re:T-Rex was illustrative. My point was that, if you hear an elephant or hippo in the 'hood, it would be a good idea to go the other way - as these animals will cause damage to your person. Rhinos, not so much.

If "predator" was too narrow a noun, mea culpa. In any event, I was just speculating on the origins of a phenomenon that many report.

Marty
i believe the lower the frequencies go in a loudspeaker, providing it does it cleanly w/out distortion, adds body and foundation to all music. frequencies have fundamentals that are lower then the frequency itself.
you mentioned your speakers go down to 28 htz, at how many db's down? distortion and sound pressure levels play a role in low frequencies. for example: my speakers with a 2.5 watt electric input will generate 100db sound pressure level at 4 ft. second harmonic distortion at 40htz 0.5%.