Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10
I've really enjoyed this thread, and have purchased 4 albums from Amazon today based on suggestions here. Someone mentioned that anyone can play music from a written score. That reminded me of a once- in- a- lifetime experience some years ago. My son (who was eight years old at the time) was a Suzuki violin student and played in an orchestra. The Suzuki group he was in sponsored a 10 day music institute each summer in Snow Mass, Colorado, near Aspen.  The institute drew kids, and teachers, from all over the world.  It also coincided with the annual Aspen Jazz Festival.  That particular summer, Wynton Marsalis and the Kennedy Center Jazz Band were staying at the Hotel we were at rehearsing for the Aspen Festival.  The kids and parents were invited to attend their rehearsals (if we remained quiet) and Marsalis and the band members made themselves available to the kids for questions during breaks.  

My son and I sat in a conference center room for three hours watching and listening to those consument musicians practice and struggle with the music.  They were working on a Charles Mingus piece, the name of which I can't remember, and trying to both figure it out, and play it.  The band had written scores, but more importantly, tapes of Mingus performing the piece live.  The written scores did not match up with the tape performance, and Marsalis and company spent hours trying to reconcile the sources.  It was truly inspiring to watch and listen to musicians at that level work through a very difficult and esoteric piece.  Both my son and I marveled at the shear virtuosity of the musicians, and the  talent they brought to bear on the music. Marsalis sought to capture the emotion, and energy of the piece, not just play the notes.  So, anyone can play a piece from sheet music, but it takes masters of their craft to play it right.


       
Given a signed cd by Eric Darius? I think is his name.
had it for , must be 8-10 years now, still have not played it yet.

 I have albums and CDs I’ve purchased in the 80’s still sealed and stored away.

 Anyone know an Eric Darius? Any good?

zerobias, no surprise if the written score and Mingus' performance didn't match up.  In real jazz it would never be played the same way twice. ;^)

Anyway, that must have been a wonderful experience to hear Marsalis and his band live and in rehearsal.  A few years ago I had the opportunity to listen in while a local big band jazz group (all professional musicians) rehearsed.  For anyone who is an audio hobbyist that is a sure way to disappointment.  No way our systems at home come close to the power of an 18-piece jazz band live from no more than 20' away!

Also, did you mean Marsalis and the Jazz at Lincoln Center Orchestra?

Pryso, I just received that 5 record set by Miss D, and I only auditioned side A of "After Hours"; this is the quietest record I have ever not heard, and the music is spectacular, I mentioned the musicians on page 432.

Dinah grew up on the South Side of Chicago where jazz is king, and this is evident by her choice of musicians; all of the very best jazz musicians available at that time. The music is so tough that the album I reviewed would be boss without her, and she knew that, but it's spectacular with her.

I'm still waiting on some "Telefunken Tubes", so I won't play any more of these albums until after the tubes arrive.

These are "Verve" records and they are much better than the original records (no noise); highly recommended.
Today’s Listen:

Miles Davis -- BALLADS & BLUES

Notes: "The recordings collected here are taken from one of his famous "Birth of the Cool" sessions in 1950, three sessions cut for Blue Note between 1952 and 1954 and the landmark 1958 "Somethin’ Else" session, which is a Cannonball Adderley date in name only." By Alfred Lion, I think.

I am only the messenger.

I like him better muted.

https://www.youtube.com/watch?v=fbyqjBZnEco


https://www.youtube.com/watch?v=tMPdP6-lrmc

https://www.youtube.com/watch?v=F9dRmu5SdcM

https://www.youtube.com/watch?v=5JmSb8qL8P4&list=OLAK5uy_mz6mThglC0Hw-Yk1z1d8hRG3lDRd6jfUY&index=9

Cheers