Article: "Spin Me Round: Why Vinyl is Better Than Digital"


Article: "Spin Me Round: Why Vinyl is Better Than Digital"

I am sharing this for those with an interest. I no longer have vinyl, but I find the issues involved in the debates to be interesting. This piece raises interesting issues and relates them to philosophy, which I know is not everyone's bag. So, you've been warned. I think the philosophical ideas here are pretty well explained -- this is not a journal article. I'm not advocating these ideas, and am not staked in the issues -- so I won't be debating things here. But it's fodder for anyone with an interest, I think. So, discuss away!

https://aestheticsforbirds.com/2019/11/25/spin-me-round-why-vinyl-is-better-than-digital/amp/?fbclid...
128x128hilde45
78s playing on a 1920’s Victrola also has a kind of magic to it. Mostly nostalgic.

I have converted 78s to digital. Sounds the same, but something is missing....can’t quite figure out what it is.
Silliness. This sort of rumination drives me nuts. Audiophiles love vinyl because it gives them stuff to tinker with, to "improve." Vinyl is a tweaker's adventure. Only speakers offer as much if you care to get involved. But, with vinyl it's easy. You have cartridges, tonearms, turntables, cables, mats, weights, stands, phono stages, tubes, etc. Digital is boring in comparison. What can you do to a DAC? 
As for as sound goes I would say it's 50/50 depending mostly on the mastering. A music lover will take advantage of both. Digital has one huge advantage. Once the music is in numbers it is very hard to corrupt. You can perform any number of functions without adding distortion. If I record a vinyl album in 24/192 and play it back synced to the original switching back and forth you would never be able to tell which was the real record. 
Vinyl is a tweaker’s adventure. Only speakers offer as much if you care to get involved. But, with vinyl it’s easy. You have cartridges, tonearms, turntables, cables, mats, weights, stands, phono stages, tubes, etc.
Good observation....

But the goal is precisely in audio to eliminate the many occasions of disturbance and noise....Digital permit to eliminate some, perhaps more easily indeed...

Digital is boring in comparison. What can you do to a DAC?

We can do with a dac what we can do with a turntable or with the complete audio system: mechanically optimally isolate them and coupling/ decoupling them, we can lower the noise floor of each audio component and decrease also the noise floor of the electrical grid of the room and the house, and we can maximise the S.Q. with active(electronical or non-electronical one) and passive controls of the acoustic of the room....Dac or turntable, any of the 2 need to be implemented in these 3 dimension or embedded rightfully anyway....

Is it boring? Not at all.... 😊

Analog or digital had, any of them, their specific advantages or inconvenients....

There is no absolute here, because the comparison objectively between the 2 types in the same conditions is almost impossible for most of us, because there is no 2 digital audio system identical and immersed in identical environtment nor 2 analog systems in the same conditions ...

Some will say: in my room my turntable is better than my dac.... Ok then, ask yourself: is my dac the best there is and perfectly embedded? Probably not.... Then reaching an absolute conclusion make no sense.... Reverse the argument for those who will claim that their dac is better than any turntable....

The truth is, i will repeat myself, nevermind the components, the most important question is how well are embedded my electronic components in the system, in the house, and in the room?
😎😋
😊😌


As for as sound goes I would say it's 50/50 depending mostly on the mastering. A music lover will take advantage of both.
And i concur with your conclusion....

Merry Christmas to you and to all.... 🎄🎈🎀🎁
I don't know why analog sounds better, it just does. To me digital is like following someone's favorite recipe to the T, but the result comes up short compared to the original-there's just something missing. It's like soul food without the soul. Don't get me wrong, digital can be very good. It's just not "slap yo mama" good.
I don’t know why analog sounds better, it just does.
To begin with in my experience it is more difficult even today to have digital right especially with low cost component, than analog right with a low cost component....

Then....

At low cost level analog will sound better most of the times....

The reason is simple, most low cost dac sound unnatural...

My first low cost dacs were so unnatural that i was thinking to kill myself.... 😥😛


When people dont know how to make something sound right they call the electronic component that sound better among others, when compared in the same conditions, their "taste"....

But almost any good component, analog or digital, will deliver a good S.Q. if it is rightfully embedded in the first place....After that we can always have our "taste" for one, analog or digital, among the others.... But it is not significative of any truth for most of us...It is only an arbitrary "taste"....

The choice of  components is subjective then, the way to embed them is objective facts and rules....

At the end there is not ruling "taste" in audio, because when the instrumental timbre rendition is natural, there is no more taste for "warmer" or "cleaner" sound... Timbre is not warm or clean....These adjectives pertain to the analysis of sound not to the perception of musical instrument...

Then i want a system able to give me the more natural music timbre, not warmer or cleaner sound, just the more natural timbre...Timbre is not a pure generic sound out of any room....

Timbre perception was and is the key to listening experiments about audio system and his not only speakers dependent but room dependent....

Warmer or cleaner colors are related to only frequencies hues, but musical timbre for his definition ask for 5 characteristics and is then a very complex phenomenon, linked not only to speakers, dac, turntables, or amplifiers choices but mainly to the room acoustic, and to the other 2 embeddings controls :

  1. «Range between tonal and noiselike character
  2. Spectral envelope
  3. Time envelope in terms of rise, duration, and decay (ADSR, which stands for "attack, decay, sustain, release")
  4. Changes both of spectral envelope (formant-glide) and fundamental frequency (micro-intonation)
  5. Prefix, or onset of a sound, quite dissimilar to the ensuing lasting vibration»

Wikipedia