@millercarbon
Second question I have is why we cannot call digital "natural" also. It works in a different way, but it is still artifactual. Why might we think that "digital" is as natural? Because while it does convert a sound vibration to symbols, that’s the same process we use to communicate. We turn arbitrary sounds into words. (In both cases there is a representation involved.) And when we do it with words, we call it "natural language." On this line of reasoning, language and digital music both involve a move from the physical to the symbolic -- and so there’s something "natural" and "organic" about digital sound, too.
In neither case are we guaranteed good sound or pleasing sound. But the article’s author wants to separate them on this "natural" vs. "non-natural" basis, and I suspect that cannot fly.
If you want to get philosophical about it, I believe this is because records recreate a connection with the original performance that cannot be matched any other way simply because it is indeed a connection. The performer caused the air to vibrate, then the microphone, then the wire, on and on to the speaker, the air in the room and then finally all the way to you.This makes sense on an immediate, intuitive level. I do wonder two things. First, why the "connection" involved here -- which is a complicated, electrified, highly technological process of amplification and translation -- more "natural." Don’t those added transmutations to the initial sound deprive us of the right to call it a "natural" or even special connection?
Second question I have is why we cannot call digital "natural" also. It works in a different way, but it is still artifactual. Why might we think that "digital" is as natural? Because while it does convert a sound vibration to symbols, that’s the same process we use to communicate. We turn arbitrary sounds into words. (In both cases there is a representation involved.) And when we do it with words, we call it "natural language." On this line of reasoning, language and digital music both involve a move from the physical to the symbolic -- and so there’s something "natural" and "organic" about digital sound, too.
In neither case are we guaranteed good sound or pleasing sound. But the article’s author wants to separate them on this "natural" vs. "non-natural" basis, and I suspect that cannot fly.