I have used a LMOC on a Valve Input/Output MM Phonostage.
From a Audible Perspective, the marriage of the Two Devices delivers a prentation that is Rich and Voluminous.
As for a Presentation it suits 'IMV' non complex music combined with female volcals.
It also worked quite nicely with a Male Harmony with Harmonica and Acoustic Guitar.
With ECC81 Valves as a Input, it was Volume Control Hungry to achieve the Listening Levels I prefer, and on a few tracks, the Volume was not enough and the replay was a little wanting for extra Volume.
Put the SUT in place and the same Cartridge becomes a very airy detailed device, that lends itself to all Music Types.
The Volume Control is happiest when set at at approximately half rotation and this leaves ample more for when required.
I have not got a Problem with the MM Stage minus SUT.
I have got a Cartridge that can wear two costumes.
One version is a MM only Cob Horse with a Cart in Tow, and the other version a SUT enhanced performance Flat Race Horse released from the Stalls.
From a Audible Perspective, the marriage of the Two Devices delivers a prentation that is Rich and Voluminous.
As for a Presentation it suits 'IMV' non complex music combined with female volcals.
It also worked quite nicely with a Male Harmony with Harmonica and Acoustic Guitar.
With ECC81 Valves as a Input, it was Volume Control Hungry to achieve the Listening Levels I prefer, and on a few tracks, the Volume was not enough and the replay was a little wanting for extra Volume.
Put the SUT in place and the same Cartridge becomes a very airy detailed device, that lends itself to all Music Types.
The Volume Control is happiest when set at at approximately half rotation and this leaves ample more for when required.
I have not got a Problem with the MM Stage minus SUT.
I have got a Cartridge that can wear two costumes.
One version is a MM only Cob Horse with a Cart in Tow, and the other version a SUT enhanced performance Flat Race Horse released from the Stalls.