Modwright LS100 vs The followings


I am using a Modwright LS100. I think it sounds quite good, but I am wondering how does it compared to the followings:

1) Coincident Statement Line stage
2) ARC SP10
3) Doge 8
4) Supratek Chardonnay
I listen to SP10 at my friends place, it has a huge sound stage and very holographic. But the price in the used market keeps going up. Given the current market price, I am wondering is it is better to get a current production model.

Would any of this be a significant upgrade to the Modwright LS100?
gte357s
The Modwright gear is and has always been TOTL, amps, Pres’ and so on.

wouldn’t think anyone would part with the gear!

 Good stuff!
If anyone has any firsthand experience I’d be interested in “tone” comparisons to a few other preamps at about the same price point as the Modwright LS100:
LTA MZ3
Primaluna EVO300
Aric Audio Super
Backert Rhumba 1.3
@gte357s,
Thanks for your follow-up listening impressions and comments. You note the transparency of the Coincident Statement Line Stage (CSL). And you’re right, audio system synergy of components/cables are very key and will be exposed.

In my opinion the CSL doesn’t lack tonal density. It entirely depends on what it’s partnered with. The exceptional level of transparency allows the signature of each component and cable to be revealed/recognized. Tone can be leaner or fuller -meat on the bone. The CSL very likely has less of a "self" sonic signature than the Modwright LS 100 relatively speaking. So the LS 100 could add a bit of flavor sonically speaking. CLS more chameleon in nature.

Bottom line I don’t believe that you can go wrong with either line stage. Just depends on which approach you want to take. I will say that with the current make up of my system, tonal density and harmonic richness are strengths.
Which ever choice you make, best of luck to you.
Charles
Hi @gte357s,

Click my avatar, you can see my full system with pictures and descriptions. I named my audio system “SET Bliss” Happy Memorial Day.
Charles