How much difference does a phono preamp really make?


Sorry for the noob question...

I have a Technics SL1200-GR turntable with two cartridges; a Denon DL110 and a Clearaudio Performer. I also have two phono stages; a Consonance PM6 and the internal phono stage in my Belles Aria integrated. 

To my ears, there is no discernable difference in sound between the two phono stages. 

I'm just wondering, if I went up to say a Clearaudio Smart Phono, or a Rogue, or even a GoldNote PH-10; would I be able to tell? How critical is a quality phono pre in analog sound reproduction?

Thanks,
Joe
128x128audionoobie
@williewonka

+1

yep, my experience has been wading around the shallow end is pretty much the same. But once you get into the deep (high) end, the difference is profound.
Cartridge and its stylus profile, cantilever, coil wire, overall design is the most important in analog chain, even with very cheap preamp the difference is huge and everyone can hear it immediately (I played records with different cartridges for my non audiophile friends, everyone can hear the difference)!

In your situation it can be a difference between average cartridge and great cartridge, when you are comparing average cartridges they are all the same (aka nothing special).

I have many different cartridges (MC, MM, MI) and 4 different phono stages including Gold Note PH-10 (mentioned by you). Discovering a new cartridge is a pleasure, I do not change phono stages that often (it would be crazy) !

Better phono stage will not make your average cartridges any better. You have to start with a cartridge.

And BTW you can’t even change the stylus on your cartridges by yourself when they are worn, so you’d better think about better cartridges. Once yours are worn after 500-700 hrs, you’re done with them. Your new phono stage can’t help you with worn stylus. Sell your cartridges (before it’s too late) and buy much better cartridge.

My advice is to start your upgrade path with a cartridge (MM or MI with user replaceable stylus with advanced profile and better cantilever than aluminum), you will upgrade your phono stage later anyway.

When I bought my first serious MM cartridges for Technics turntable my phono stage was $500 Grado PH-1 and my average cartridge was Grado. My better cartridge was Technics EPC-205c mk4 and the difference between Grado MI and Technics MM was HUGE on my old Grado PH-1 phono stage, then I upgraded load resistors to Vishay Naked Foil (100k Ohm) and it was another upgrade! Later over the years I bought more turntables, cartridges and more phono stages (headamps, SUTs etc).





audionoobie, to answer your question the AT VM760SLC will make a large improvement. It is a much better tracker than your current cartridges should have better bass and be more dynamic. It is a great value!
@mijostyn Awesome!! Thanks!!

Thanks again for all the wonderful replies. I am taking in all this great information.

@chakster "Better phono stage will not make your average cartridges any better. You have to start with a cartridge."

This sounds like excellent advice and I will definitely heed it. Thanks!
IF The cartridge is the most important, then why buy a good TT & tonearm first ? Well, there is a reason why. IT AIN"T SO. IF the cart was the most important, people would build their vinyl rig around it. BUT THEY DON"T.

So, OP If you buy the hogwash of the cart being the most important, then you should sell your TT & stand alone phono preamp and buy a cheap TT and a very nice cartridge with those funds.