L-PADS,
if you had em, you would do exactly what they were intended to do: boost (reduce attenuation) for dull rooms; cut (increase attenuation) for live rooms. Adjust to Individual Tastes.
And keep your comfy gorgeous thick carpet. Better for preventing too early reflections.
Many Vintage Speakers included L-Pads, my Fisher President II Console had all electro-voice drivers, and each had a pair of AT-37 L-Pads: one for the mid horn; 1 for the horn tweeter.
The crossover was designed with mid-attenuation as 'normal', boost or cut from there.
Their Model 6 has a resistor network with 5 specific frequency curves in a graph, selected by rear switch.
I just replaced my 4 L-Pads, and it took me familiar music, then parts of 5 listening test cds to determine/adjust/refine each, then adjust L to R.
Combined with my new six 9's copper speaker wires and new six 9's copper interconnects, my system has never sounded better.
if you had em, you would do exactly what they were intended to do: boost (reduce attenuation) for dull rooms; cut (increase attenuation) for live rooms. Adjust to Individual Tastes.
And keep your comfy gorgeous thick carpet. Better for preventing too early reflections.
Many Vintage Speakers included L-Pads, my Fisher President II Console had all electro-voice drivers, and each had a pair of AT-37 L-Pads: one for the mid horn; 1 for the horn tweeter.
The crossover was designed with mid-attenuation as 'normal', boost or cut from there.
Their Model 6 has a resistor network with 5 specific frequency curves in a graph, selected by rear switch.
I just replaced my 4 L-Pads, and it took me familiar music, then parts of 5 listening test cds to determine/adjust/refine each, then adjust L to R.
Combined with my new six 9's copper speaker wires and new six 9's copper interconnects, my system has never sounded better.