@lewm, you are probably right. I used the term "harmonic distortion" as that is what it is called in the link I posted above which I believe is actually another way of expressing tracking angle error. Harmonic distortion is a misnomer. Thanx for pointing that out.
@chakster , if we are to believe the graphs in the link Stevenson is lowest right at the edge of the label (60mm). Very few old records go in farther than 65mm. In the middle of the record Stevenson is handily worse. Just from a look at the graphs I can't understand why anyone would use Stevenson. I must say that I have not tried to compare alignments from a sonic perspective because it is so difficult to do in a way that one could have confidence in the result. Angle error is a very simple issue to measure. I am sure we all agree that optimum is an angle error of zero and that the farther away from zero ones gets the worse the result will be. Whether or not this is something you can actually hear is another issue. I do not share your taste in tonearms but a lot of other people do.
@chakster , if we are to believe the graphs in the link Stevenson is lowest right at the edge of the label (60mm). Very few old records go in farther than 65mm. In the middle of the record Stevenson is handily worse. Just from a look at the graphs I can't understand why anyone would use Stevenson. I must say that I have not tried to compare alignments from a sonic perspective because it is so difficult to do in a way that one could have confidence in the result. Angle error is a very simple issue to measure. I am sure we all agree that optimum is an angle error of zero and that the farther away from zero ones gets the worse the result will be. Whether or not this is something you can actually hear is another issue. I do not share your taste in tonearms but a lot of other people do.