Selecting Analog Gear Based on Music Preference?


I’m just getting into turntables and vinyl after building a fairly high-end digital system over the past few years. One thing I consciously did as I put together this system was “voice” it for synergy with the kind of music I like to listen to, which is fairly well-produced classic rock like Rick Rubin’s work with Tom Petty, Sting and the Police, Tears for Fears, etc. And I also like to listen to pop music like Sam Smith, Maroon 5, and George Michael. So I’ve built this system with a Naim NDX2/ND555PS and tube preamp/Luxman M900u power amp combo with high efficiency Volti horn speakers. 

I picked up a Technics SL-1200Mk2 with an Ortofon 2M Blue just to get things started, and I have a Parasound JC3 Jr which all seem to be a great first step. But before I do any upgrades to the turntable and cartridge I’m wondering if there are better tables and cartridges for different kinds of music and listening? I don’t want to fall in love with some high end table and find out it really only sounds best when listening to renaissance lute music or acoustic guitar singer/songwriters, etc. I’m looking to get groove and resolution similar to what I’ve found with the NDX2/ND555PS combo. 

I’m looking toward the $2.5-5K range, and at the top of the range I find the Dr Fieckert Volare and possibly the SOTA Sapphire very interesting, and I have a soft spot for Technics, so the 1200G is a possibility too. 

Is there a direction I should be heading in if I’m looking for the best rig to reproduce a certain genre of music?

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When a Digital System is put together what ever the price tag, if streaming is used, the access to the music files is unlimited and done 'off the cuff'.

It is not really possible to tell if a music file from one genre is a better than a file from another genre. The most noticeable element will be the quality of the recording.

This passes over to Vinyl as well, and some of your chosen artists, will be from a period when vinyl was very high quality and others from the Digital Breakthrough era, when the Vinyl LP spiralled down rapidly to a very low quality.

New mainstream Vinyl LP releases today are with the same fate, I have returned new purchases more than once to get a acceptable copy, but inferior to owned 40 Year OId LP's

My advice would be to buy some pristine albums from enjoyed artists with pressed LP's from the 70's, or a re-release pressing from a reputable pressing company. Use these on your present set up to get the feel for the presentation compared to your digital, even A/B compare the formats.

This will give a better grounding on where the deficiencies are being detected from the source.          

I think there is better choices. Given the kind of music you listen to I would recommend a heavy unsprung turntable like a VPI. To me, the sound of a high quality massive unsprung table more effectively communicates the solidity of rock, pop and other bass heavy stuff.

While I now own a contemporary Linn LP12 which I really like… the analogy made to me between the two were VPI unsprung are like muscle cars and great quality sprung tables like the Linn are the Porche’s… agile and a bit more ethereal. I added a SRA platform to my Linn which gained back the missing solidity while keeping the liveliness of the Linn. While I can’t recommend either table too much… the VPI…. Or Walker… etc, sounds like your cup of tea.

The best equipment will play all genres. If I were to pick equipment that would be most likely genre specific it would be loudspeakers not turntables. Having said this there are definitely cartridges that are more dynamic than others and rock and rollers seem to be more sensitive to this than others. Until you get into very expensive MC systems high output cartridge systems tend to be more to much more dynamic. 

@ghdprentice , interesting analogy. I would say VPI turntables are like American Motors cars. the Linn like a 356 Porsche, the Sota a 911 and the Basis a Ferrari.

Turntables without isolation should not exist. None of them are worth looking at.