What is the “World’s Best Cartridge”?


I believe that a cartridge and a speaker, by far, contribute the most to SQ.

The two transducers in a system.

I bit the bulllet and bought a Lyra Atlas SL for $13K for my Woodsong Garrard 301 with Triplanar SE arm. I use a full function Atma-Sphere MP-1 preamp. My $60K front end. It is certainly, by far, the best I have owned. I read so many comments exclaiming that Lyra as among the best. I had to wait 6 months to get it. But the improvement over my excellent $3K Mayijima Shilabi was spectacular-putting it mildly.

I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more! 
This got me thinking of what could be possible with a different kind of cartridge than a moving coil. That is, a moving iron.

I have heard so much about the late Decca London Reference. A MI and a very different take from a MC. Could it be better? The World’s Best? No longer made.

However Grado has been making MI cartridges for decades. Even though they hold the patent for the MC. Recently, Grado came out with their assault on “The World’s Best”. At least their best effort. At $12K the Epoch 3. I bought one and have been using it now for about two weeks replacing my Lyra. There is no question that the Atlas SL is a fabulous cartridge. But the Epoch is even better. Overall, it’s SQ is the closest to real I have heard. To begin, putting the stylus down on the run in grove there is dead silence. As well as the groves between cuts. This silence is indicative of the purity of the music content. Everything I have read about it is true. IME, the comment of one reviewer, “The World’s Best”, may be true.
 

 

mglik

I like MI cartridges very much.  You might even say I prefer them to MC cartridges, as a group.  Then along comes the crazy Ortofon MC2000 with its vanishingly low voltage output.  It responds well to a current drive input, and it might be my favorite cartridge, ever, used in that context.  But I have never heard your cartridges, except maybe the Atlas at a friend's house.  My point is that if you are searching for the world's best cartridge, cost no object, then my friend you are going to be spending a lot of money, which you already have done.  Be happy you can afford what you have already afforded and enjoy.

"I recently heard a demo of much more pricy system using a $25K cartridge. Seemed to be the most expensive cartridge made. Don’t recall the name.

For sure, the amount of detail was something I never heard. To hear a timpani sound like the real thing was incredible. And so much more!"

At some point that cart will be surpassed by a designer, pushing it down into the plebian category of Lyra Atlas, and all the others.

 

Fan of Decca cartridges here. If you’ve the budget, it may be worth trying a Reference (or Jubilee) if you can get one. However, I was reading about Durand arms and the writer said the one he had trashed his Triplaner. So, you might explore that area.

Recently been impressed with a MSL (My Sonic Labs) cartridge. Very detailed but not etched and lively sounding.  Totally holographic. 

Your Atlas *if* dialed in right is a pretty special cart. Yet for some people the worlds best might be an original white bakelite Neumann DST from 60 years ago.

 For another whatever Audio Exotics has at the top of the price list :)

Certainly carts with high quality gold or platinum windings might be interesting.

I picked Aidas and Tedeska to sell in my portfolio because, while not inexpensive, I felt the value is high. 

 

Enjoy