Classical music thread welcoming your suggestions and why...


My best for Schumann 4 th

Incredible haunting surreal out of this world Furtwangler whose interpretation had never even be rivaled save by Klemperer mastery second, but really only second... Furtwangler here surpass all maestros and taught a lesson ...Perhaps the greatest musical recording among all his recordings, if not, i dont even know which one is over this one....

i stop listening anything after these two, which give their musical direction the power to reveal Schumann obsessiveness near madness and his way to control it with music healing power over tempest...

is it music? It is more a desesperate victorious act to keep control over oneself by music writing ... It is the way Furt, directed it... A glimpse of hope amidst terrors and in spite of it , as a boat lost on sea between sunrising and sun down and directed as such by these two maestros... Sometimes a whirlwind capture us desesperate and is replaced by a false calm and the sun illuminate the darkness to be replaced by fate returning in the turmoil again and again ...

The suggestive power of this music put Schumann beside Beethoven with his evocative power and Furtwangler and Klemperer knows it , it is not another musical piece, but the radiography of a soul...

Sometimes music is more than just music... Here it is the case...

it is not a leisure nor a mere pleasure more a deep vision, crisis, meditation, a trance ...

Any other maestro direct it only as a beautiful musical piece... It is not...It is a mystery dancing in some living soul and here for us to see not just listen ...

...

If the world spiritual had a meaning in music it is now...

 

Furtwangler:

https://www.youtube.com/watch?v=LbyEiplksn0

 

Klemperer :

https://www.youtube.com/watch?v=UkU8ULGs4aE

 

128x128mahgister

There is a large Barbirolli box that has been released, with many 78 recordings.

My impressions of J.B. Are from his stereo recordings, in his last decade or so.

His Mahler is impressive, but ultimately just to slow and world weary for me.  I like the Sibelius stereo set with the Halle Orchestra, but  the Orchestral deficiencies are wearying.  It would be interesting to hear the younger J.B.

  Re Curentzis, I admit that I am one of those that is off put by his relentless P.R. Machine.  The one recording of his that I did stream, Tchaikovsky 6, didn’t begin to live up to the hype.

  I second the comments about Barenboim as a Furtwangler wanna be.  The young D.B. was so phenomenally talented.  It just seems weird to want to ape another musician to the extent that he has, and to alter the natural growth curve that he may otherwise have experienced.  Furtwangler make it seem as though he was playing the Orchestra like an individual instrument, exercising complete command, apparently able to manipulate the musicians to follow him wherever he went.   I think it was that improvisatory feel that D.B. the Pianist wanted to bring to his conducting 

This thread takes me back to my Tower Records days at the Panorama City branch, where the classical music department was up the squeaky stairs to the second floor. There was the customer who pronounced Deutsche Grammophon as "duchesses grab-a-phone," and Daniel Barenboim as Daniel Bound-boom. He was a good guy, though, who always bought one or two albums.

@edcyn: I had no idea the Panorama City store had an upstairs. I did my Classical buying at the Hollywood store on Sunset Blvd. They had almost everything that was in print in stock a lot of the time.