Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

@curiousjim 

I just started The Complete EmArcy recordings and so far A+!

I'm glad you like it. Another suggestion is this Brownie biography which I have read and consider it a really good bio of which I have read hundreds of bio's on jazz artists as well as many other subjects.

Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter: Catalano, Nick: 9780195144000: Amazon.com: Books

@stuartk Speaking in general and in broad terms I would say that in (jazz) music every time period has its own distinctive ’sound’. Fusion, with its arrangements, use of keyboards and other instruments has that too, even more, I would dare to say. The structure of compositions, timing, duration of solo parts, the overall ’sound’ I find very hard to listen too. Again, speaking in general, but I did not find any (fusion) music (from that time period) that I like (not even the album I have posted above)

So, its not about the use of ’electric instruments’, but rather of how are they used. Than again, I am quite certain that with years I am becoming more and more exclusive and not only with music,ha,ha

@alexatpos 

The structure of compositions, timing, duration of solo parts, the overall ’sound’ I find very hard to listen too. Again, speaking in general, but I did not find any music from that time that I like (not even the album I have posted above)

Ah, OK -- I misunderstood. I thought you'd posted the link to that track as an example of one you liked on the J. McLaughlin record. Sorry about that! At any rate, it seems you are very clear about what you do not like when it comes to Fusion.

Anything that uses synths is pretty much out for me -- Fender Rhodes, I'm OK with. So, for example  the first two RTF albums, with Flora Purim, Airto, S. Clarke and Joe Farrell, I like. I don't know if this is actually Fusion -- more like electric Latinized Jazz. 

I can definitely relate to "becoming more and more exclusive". 

 

I did not like "fusion" in general for the same reason...

"fusion" borrow from different traditions but stay on a superficial sound level often... Especially if the styles they borrow from are not near or related to one another...

For example Bollywood music borrowing from Pop and Indian classical music...

For example, listening to Nikhil Banerjee is a sacred event , listening Bollywood "fusion" is a short leisure at best at least for me...

The same is true for any other "fusion" examples...

There is very good fusion music though , lost in the general not so interesting albums mass...

For example the "fusion" of Bach with jazz by some Jazzman...Or the encounter between Ali Akbar Khan and a jazzman... They are more musical encounter event  and interesting , more than the development of "a new fusion genre" as such  ... the event will not be repeated on a long term creating a new language replacing the two which fusionned for an album...

Some tradition may be influenced by some other genre and integrating it slowly in history..,.It is one thing.... But creating tomorrow a style integrating two genres will not always be so interesting because it takes really genius to do so, each idioms being with his own rules...... I prefer more traditional jazz even free jazz to Pop/jazz "fusion" most of the times...There is exception for sure...

I have a very eclectic musical taste as opposed to narrow taste. I have always been that way and my taste has not narrowed with age. If anything it has widened....

I like the Mahavishnu Orchestra. I like John McLaughlin and Billy Cobham as well as the bassist Rick Laird and keyboardist Jan Hammer. All 4 have studied classical music as well as jazz and Cobham, Laird, and McLaughlin have all played with "giants of jazz"

I like RTF. I like Chic Corea and Stanley Clarke. I like drummer Lenny White and Al De Meola's history speaks volumes.

When I am in the mood I can listen to Flamenco guitar for hours. Paco de Lucia is a virtuoso and a favorite. (yes I own all the duo/trio concert CDs with De Meola, McLaughlin, and Coryell.)

Drummer Tony Williams is another who is known for fusion but played on countless pure "straight ahead jazz" albums with Miles Davis, Jackie McLean, Andrew Hill and Herbie Hancock to name a few.

I went to a Return to Forever Reunion Tour concert at the United Palace Theater in NYC 15 years ago and it was a great experience.

I have seen Billy Cobham live in a jazz setting.

I have seen Chick Corea live in a jazz setting.

I have seen Stanley Clarke live in a jazz setting.

Mahavishnu Orchestra bassist Rick Laird played with sax legends Zoot Sims and Al Cohn before becoming the house bassist at Ronnie Scotts Jazz Club playing with many "giants of jazz" who had a residency there. (he described playing with Sonny Rollins as a great learning experience).

Rick Laird with Victor Feldman:

Victor Feldman Trio - 1965 - YouTube

Billy Cobham with Chick Corea:

Horace Silver Quintet - Song For My Father - YouTube

Tony Williams, Chick Corea, and Stanley Clarke with Stan Getz

Stan Getz - Five Hundred Miles High (1975) [with Chick Corea, Stanley Clarke, Tony Williams & Airto] - YouTube

John McLaughlin with Miles Davis

Miles Davis (with John McLaughlin) - Live at Hill Auditorium, Ann Arbor, MI, USA, February 21, 1970 - YouTube

Al De Meola is on tour and playing at The Patchogue Theater for Performic Arts on Friday October 27, a 10 minute drive from my house. I have tickets.