Was 1971 the high point of popular music?


All these albums were released in 1971.

"Imagine" by John Lennon

"Sticky Fingers" by Rolling Stones

"Blue" by Joni Mitchell

"Meddle" by Pink Floyd

"There's a Riot Going On" by Sly & The Family Stone

"Fragile" by Yes

"The Yes Album" by Yes

"Killer" by Alice Cooper

"Ram" by Paul McCartney

"Live at the Filmore East" by Allman Bros. Band

"Who's Next" by The Who

"What's Going On" by Marvin Gaye

"Hunky Dory" by David Bowie

"Aqualung" by Jethro Tull

"Master of Reality" by Black Sabbath

"Songs of Love and Hate" by Leonard Cohen

"Shaft" by Isaac Hayes

"Every Picture Tells a Story" by Rod Stewart

"Madman Across The Water" by Elton John

"LA Woman" by The Doors

"Led Zeppelin IV" by Led Zeppelin

"Tapestry" by Carole King

"Pearl" by Janis Joplin

"Live-Evil" by Miles Davis

" Journey in Satchidananda" by Alice Coltrane

"Teaser and teh Firecat" by Cat Stevens

"Deuce" by Rory Gallagher

"Santana III" by Santana

"Weather Report" by Weather Report

"Tupelo Honey" by Van Morrison

"Surfs Up" by The Beach Boys

"John Prine" by John Prine

"Wild Life" by Wings

"Where I'm Coming From" by Stevie Wonder

 

 

 

 

 

 

128x128tony1954

@moonwatcher 

But this body of work is out there, waiting for future generations to discover and love.  I believe some of them will stand the test of time just as classical compositions have after hundreds of years. If something is "good" I think it always will be. 

I agree. I'm definitely not one of those who believes the only yardstick applicable for determining whether music (or any other art)  is "good" is subjective taste!

 

@tony1954

We were lucky to have been there in the beginning in the late 60’s and early 70’s, but maybe unlucky in that we developed very high standards in what constituted good music. It also gave us a broad spectrum of musical genres to enjoy ...

 

Yes. 

@tony1954- interesting album, Lifeboat. It has a lot of the "usual suspects" including Stevie W. (also a Blackwell "discovery" via Spencer Davis) and John Bundrick and early cuts were done by George Peckham (aka "Porky"). 

Chris was one of those few guys who had an "ear" as a label chief and was very attuned to the music itself--he was someone who was considered artist "friendly."

Another outlier is John Martyn's Solid Air- not obscure, but it doesn't get the level of attention it probably deserves. Ditto Roy Harper's Stormcock--"The Same Old Rock" is an opus- with a fully primed Jimmy Page playing 12 string. Highly recommended if you haven't heard it. 

On Elton, I favor Tumbleweed, both for the writing and performance- I have multiple DJM pressings- oddly, the earliest UK cut has the least bombastic bass- some of them are bass monsters.

@tablejockey - throw in Disco Inferno too.

@Berner99- one early cover of "Can't find my Way Back Home" came out of that studio on LI where Bonnie Raitt was scheduled to perform and Lowell George sat  in with her crew. It's a good rendition. It's a shame the original album is a bad recording- the best version I've found is still the OG UK, with the controversial cover art.

To me, the importance is to dig in-- we can disagree about artists--e.g., Shuggie v. Bros. J but it puts us in a place where our brain is thinking about music. For that, I thank Tony1954 for his list. It got me thinking.