A phono preamp with equalization selector


Hi all,

what do you think about the record equalization selector? I have several Deutsche Grammophon records from the '70. A friend noticed me they should be played with Teldec equalization plus inverted polarity, features that my phono preamp doesn't have. I know this is typical issue if you have old records (60-70s and before). What do you think? Do you agree? If so, which machine may you suggest me?

Thanks!

R

renatocomes

Of course that is possible, but do you think it really has to do with the "1980s"?  More likely that a single particular recording regardless of the time line, might by chance sound "better" using an equalization curve other than RIAA. (And Columbia is not far from RIAA, anyway.)  And besides, what does "better" mean? (It's a subjective judgement.) The point is that nearly all companies (I say "nearly all", because I don't doubt that someone can find an exception or two) used RIAA certainly by late 50s/early 60s.  I think Fremer is claiming RIAA took over even earlier in the history of the LP. In the early or mid-50s, my parents had a Harmon Kardon mono, tube receiver that offered RIAA, Columbia, and one or two other choices for equalization, but note the date.

My Audio Research Reference 6SE has Columbia and Decca. Used in the 40’s and 50’s as well as RIAA.

"A friend noticed me they should be played with Teldec equalization plus inverted polarity,"

Some friend you have there-encouraging unecessary audio nervosa.

 

ghdprentice

My Audio Research Reference 6SE has Columbia and Decca ...

That's your 3SE, George.