Musical Expectation Bias


Musical Expectation Bias

Is it likely that such biases also extend not to just geographically separated cultures but also to "cultures" specifically dedicated to different musical stylistic categories. ie rock, classical, jazz etc?

And how might these biases color our discussions of things like "tube holography" and similar subjects?

bolong

The article subject is rhythm.

I see no relation with audio equipment nerd things like "tube holography."

I will trust more someone educated with non amplified musical instrument with classical music recording than with just electrical amplified popular music for advice on gear and acoustics... Sorry if i hurt some...

We learn how to listen and our acquired  biases exist and  will impact on soundfield acoustic evaluation ... Think just about decibels listenings levels among many other factors 😁...

it influence not just our rythm interpretation but all other acoustics and musical factors evaluation as timbre experience and immersiveness acoustic conditions...

A recording of piano in a church is not an electrical guitar rock band show recording.. The recording studio works is not done for the same crowd... Dynamic impressions which are asked for are not the same and for not the same goal...

Musical education biases matter even for gear choices and evaluation ... The same for acoustic expertise biases which ask for musical education...

 

and that was done by MIT...

Don't they have larger priorities than fall on to being so useless?