Garrard 301 - Project
I have been contemplating for a while which turntable to pursue given so many choices. Every time I look around, I just can’t help drooling over a fully restored Garrard 301 or 401. Aside from being an idler-drive, I keep reading and hearing about their unique ability to reproduce music with its sense of drive and impact thus making them very desirable to own. And with available meticulous restoration services and gorgeous plinth options, what’s not to like, right!
Would you please share your experience, good and pitfalls (if any) with a restored Garrard 301 to avoid before I go down this path.
And what about the IEC inlet and power cord, would they be of any significance. My two choices would be Furutech FI-09 NCF or FI-06 (G) inlets.
I have already purchased a Reed 3P Cocobolo 10.5” with Finewire C37+Cryo tonearm/interconnect phono cable with KLEI RCA plugs option.
Still exploring Cart Options, so please feel free to share your choice of cart with Garrard 301 or 401.
And lastly, I would like to extend my gratitude to @fsonicsmith, @noromance @mdalton for the inspiration.
@pindac dear fellow.. you had me at “ break for lunch “… Today is a good day to contemplate the math or not underlying audio ( and other decisions ) by considering the obvious ( at least to this dullard Economist ) findings of Daniel Kahneman ; Thinking Fast and Slow…. Best to all in music….. |
Congratulations on Koetsu Urushi Black. That’s a beautiful cart! As Koetsu being no longer made, I approached my purchase for the history and the legacy. Thought long and hard about one of the stone bodies cart but couldn’t quite extend the budget. I believe, Rosewood Sig. Platimum holds the sweet spot in Koetsu hierarchy. Thanks for your recommendation on book (already ordered through Amazon) and footers. Speaking of mats, check out Torque’s CU2900 Copper Mat. Great suggestion on dust cover. I went with 2 arms plinth version. The communication was bit of a challenge due language barrier, I can ask for “extra” width but that may not be possible as they start the work on plinth right away.
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It has been a few years since I have had any interaction with Steve Dobbins. I am sure he sources the platter and it is very likely still available. Something I would strongly consider first is just the upgraded bearing and the stock platter. The sound is so damned fun that way. Lively, dynamic, toe-tapping fun. |
Unfortunately the Gon is doing its FORUM MEMBERS an INJUSTICE by blocking Links to other Web Sites that are totally on topic to the content of Thread. Everybody needs a good old link to help, these are coals on the fire. Stereophile - Budha Bearing review, a few useful tops about fitting these add-on devices as well. I have used and will suggest Bicycle Torque Wrench as the tightening tool. The selection of the correct Nm Setting is King in such a circumstance. 4Nm is a very good start point. An additional Collar used on the Chassis to improve Chassis Rigidity, resulting in substantial reduction on the Chassis Flexion is invaluable. There is no point having the tightest of tolerances for a new machined Bearing Assembly, set up in a way the Bearing Housing Base is a Pendulum through Chassis Flexion showing the worst of its presence at the Bearing Base. A Bearing Housing Exchange Is one of a few considerations to be used in conjunction, with adding rigidity to the Chassis and Anchoring the Bearing Housing Base to reduce flexion. Some also have methods to use a Base Anchor as a Energy Drain. |
