The Low Volume Loudness Dilemma

My experience has been how well a system performs at low volume is hard to pin exactly to the source. However mine has gotten better and better at lower and lower volumes the better my system has gotten and now I happily enjoy 65 - 70 db. At this volume I get the fully nuanced and dynamic sound I crave. When playing a symphony I adjust it to where the sounds just barely audible coming from the sound floor are that, and crescendos are at the upper limit of undistorted hearing. But symphonies have the highest dynamic range.

From your descriptions of what you value in sound quality suggests that an equalizer is your solution. You want it to sound loud when it is not. If I were you, I would get the best quality equalizer you can. Folks that love loud music tend to appreciate the dynamics and force and not so much the nuanced detail… so the equalizer will improve what you love and not effect what you don’t.

The problem with loudness contour functions in most implementations is that they fail to calibrate to a reference level.  Most overcompensate, and become boom generators.  In this respect, Yamaha’s variable loudness is superior to others.  The best implementation is YPAO Volume, a feature of MusicCast, which takes a microphone snapshot of your room and speaker together, and sets the reference level, EQ, and loudness compensation in one holistic swoop.  Next best is a preamp with a traditional loudness button used with an amplifier equipped with variable input gain. You lower the gain so that the volume setting where compensation tapers off matches the loudness your ear tells you you no longer need it…the “reference level”.  The last best way is with an equalizer.  I use a Schiit Loki+ in the EPL of my Conrad Johnson PF-R linestage, and it helps a lot.

I purchased the Schiit Lokius and set it up in my preamp tape loop.  With my preamp remote I select tape to listen to the EQd sound.

I would love to have a Schiit Loki Max but am ok with one EQd setting.  If you want to store additional EQs or make adjustments on the fly it's definitely the way to go.

I purchased a Schitt Lokius as well and was using the balanced inputs/outputs. I tried it in the system on a few separate occasions- switching back/forth with and without it in the signal chain. Unfortunately, it had to go. It flattened out and sucked some soundstage out. I removed it and soundstage and life was restored. It's wasn't a big difference but was enough to make me take it out. I've been eyeballing the Loki Max, but others here have said there are much better EQ's out there. Any feedback on your Loki Max experience (before/after) would be appreciated.

I haven’t actually heard it but the Decware ZRock3 reads like it’s made for what you are describing.

https://www.decwareproducts.com/zrock3