@frogman, now you’re venturing into my territory. Try this taste by the Paul Butterfield Blues Band with Mike Bloomfield considered one of the great blues guitarists. (He died young.)
Jazz for aficionados
I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.
Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.
The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".
"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.
While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.
Enjoy the music.
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@curiousjim, I listened to Mal Waldron's "Free at Last.." I liked it a lot. I'm still listening. Sometimes he reminds me of Keith Jarrett, perhaps my favorite jazz pianist. He's very good and I'm glad to have found him. I might have liked this album better than Glory because I was in a more open mood, or perhaps because Glory was recorded 44.1 khz, like a CD, whereas this one is at 96 khz and delivers a lot more depth on my stereo. It's especially important for the drums which have all kinds of soundstage cues that were flattened out on Glory. |
To my ears, Mal Waldron was, like Andrew Hill, and Horace Tapscott, a player who (in his own compositions at least) tended to take a simple motif and explore it in many subtle variations, as opposed to basing lines off complex harmonic changes. Rhythmic displacement and use of space are evident elements in his playing. All three players shared a similarly dark sound and percussive touch. Waldron recorded recorded albums of standards and albums featuring original tunes and spanned a gamut from inside to outside in the process. Three I particularly like: Seagulls of Kristiansund Left Alone '86 You and the Night and the Music He and S. Lacy were buddies and recorded several times together, for those who enjoy Lacy.
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@audio-b-dog, with the Isao Suzuki Trio – Black Orpheus Full Album (1976), I was always a sucker for some nice and easy Rhodes playing and the drummer just brushing away...A Taste Of Honey - Morgana King. Wow! And Yusef Lateef "Love Song From Spartacus," You're stretching out on these cuts. And these are tunes I've never heard before. @acman3, Mal Waldron Reminiscent suite and Black Forest very nice gems you've introduced me to here this morning. |
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