Advantages of upgrade from VPI 16.5 RCM


I wonder if any fellow A'goners have upgraded their RCMs from a VPI 16.5 to the higher end VPI models ie VPI 17 or the Typhoon 27 or any other brand eg Clearaudio, Hannl or Acoustictech and the perceived advantages, if any, of such upgrade in terms of superior cleaning etc etc. The mega bucks that some audiophiles lavish on their vinyl front end would presumably demand the best cleaning device available.Have been using a VPI 16.5 for over a year while I am satisfied that the RCM cleaning regimen(with AVIS one step and distilled water) coupled with steam cleaning does give decent results there are several lps, some fairly new , in which the pop and crackle is a constant feature,(despite anti static gun etc etc). A recent review of the VPI 27 in Soundstage, in which MM while preferring the VPI 27 over the VPI 17, did not find any distinct advantage on account of the superior cleaning power/ more powerful vaccuum motor of the VPI 27, set me thinking.
Would appreciate the advice/comments of A'goners who have done an upgrade or contemplated one.
Many thanks in anticipation.
128x128sunnyboy1956
Sunny, Having moved all the way through the VPI line I can say that with my new Typhoon, cleaning records is almost fun now. This machine is so quiet and powerful, there is no comparison to my former fav the 17. Clean for an hour if you want, the Typhoon won't break a sweat.
I steam clean for dirty records, and wipe with a slightly dampened microfibre cloth for those in-between plays. This serves me well.
Sonofjim analyzed the situation well. The machines you mentioned all use the same basic technology, a vacuum wand straddling the record surface, covered with "felt" to prevent scratching. This limits performance compared to the differently designed Loricraft, Keith Monks and Odyssey. A 6" vacuum slot is too large to allow really high air velocities and the felts are constantly being contaminated, requiring multiple wands and frequent felt changes (depending on how picky you are).

The string-based machines have neither of these limitations. Having used both a VPI 16.5 and my Loricraft PRC-3, I can tell you the Loricraft is far quieter and it vacuums notably better. OTOH, it is a bit slower. For our particular needs, which demand ridiculously clean records, the PRC-3 is a no-contest winner. We'd never consider any wand style machine, the technology is inherently limited.

Whether such an upgrade is worth the extra cost and somewhat longer cleaning times is an individual choice. FWIW, the time spent cleaning isn't a total loss. The Loricraft is quiet enough so you can listen to music (not critically) while cleaning. No one ever did that while running a VPI.
My friend, guess others have summed it up pretty well so far, , and as Doug has explained, these machines he speaks of use a whole different pricipal for the removal of fluids. They are as well, a bit more complex, and one probably has to learn the little tricks with these machines to insure you are getting the most from them.

I've read about them a bit, and the thread feed is something you have to get the hang of, and most is just good common sense, like having the recovery jar on the Loricraft screwed tight, and things along these lines.

I would assume any machine like the VPI, that uses a vacuum wand to suck fluids, is also grinding a slurry of filth mixed with the fluids into the record as well at the same time.

I would imagine that the detriment is closely related to how filthy the records were from the beginning.

For one who is mechanically, and electrically adept, the 16.5 can be improved upon, and enhanced, with a spare vacuum Wand, doing a rinse with a sepeerate wand to reduce cross contamination, self adhesive Rubber Sheeting could replace the Cork Platter Mat, as you'll note many of the better, more costly machines like the Loricraft use a Rubber Platter Mat.

A Muffin Fan can be added to the 16.5, keeping the machine running cool enough to run 24/7, without a hiccup. And lastly, the machine could be lined with an insulating material, which should help squelch some of the horrid noise. Of course, it won't entirely eliminate it, and this is one of the 16.5's biggest dislikes-shortcomings.

As for auto application of fluids, I see no advantage with any other machine, if you are going to use a multi-step process, as manual application of the various fluids will still need to be employed.

And I cannot actually see-imagine any advantage to reversing the Platter Motor upon vacuuming. With manual Scrubbing, one can scrub in both directions to thier heart's content.

Of course my friend, the choice must be yours. If I had the mad money, the Loricraft would be a choice of mine as well, but the 16.5 serves me very well, and I'm happy. With the AVIS Fluids, I'm using all four steps, including the Archivist Formula, and two rinse steps with the Ultra Pure Water. I'm definitely light years ahead of what I used for so many years. It's only when I flick that Vacuum Switch, that whoever is in the house at the time, wants to strangle me! lol Mark
Mark, DougDeacon, Sonofjim,Doktorgigi and others : many thanks. The collective wisdom and experience of A'goners(which I deeply respect) clearly suggests that additional vacuuming power will not help so long as a felt tip wand is there to churn the filth back into the grooves( good point Mark).
I guess since I don't have easy access to the entire range of cleaning fluids, the upgrade was a possibility, which I will now abandon, till I can afford a Loricraft!!
Doktorgigi
My collection is growing at an alarming rate. Every trip Stateside results in at least 25/30 lps. I have been to the US twice this year and you can guess what the numbers are like!! Its mostly new/reissue vinyl bought online and second hand vinyl bought from Acoustic Sounds that in almost every case is , IMHO, equal if not better than the 180/200 gm vinyl. What I love about the used vinyl from Acoustic Sounds is that it is invariably cleaned and repackaged in fresh clothing. My experience with used vinyl shops is mixed including last weeks visit to NYC.
Cheers and Happy listening