overwhelmed by record rituals


Hi all-

I'm new to vinyl and starting to build a collection. Because I am just buying new audiophile quality vinyl (so far) it never occurred to me I should be washing the vinyl before I play it. So far my process has been to use a bit of Last stylus cleaner on the stylus (maybe after every 3 or 4 plays) and to use an Audioquest brush on the record before dropping the needle. I am starting to get some pops and clicks, though, so wondering if I should be doing more. I read through record rituals and I am a bit overwhelmed and looking for a simple process. My first question is if I should invest in a record cleaning machine before I invest in more vinyl? Is VPI a decent (modestly priced) one? Second, this article in Stereophile on Last record preservation made me wonder if I should be doing that?
http://www.stereophile.com/content/last-record-preservation-treatment
So I guess that would mean my process might be VPI (or other record cleaner) for a new record (and periodically, I'm assuming, after that) followed by a one time treatment with Last record preservative. Using the carbon Audioquest brush and Last stylus cleaner as I have been all along?

Any guidance?

Thanks!

mc
mcanaday
Margot:
Prompted in part by this thread, i did a quick 'photo essay' of a basic record cleaning process that you may find helpful. I saw a record in my 'to be cleaned' pile that inspired this as well. Don't mean to flog my blog (ahem), but here 'tis.
http://thevinylpress.com/vinyl-lp-cleaning-a-photo-essay/
You really don't need a record cleaning machine unless you rub your peanut buttered hands all over the discs. Your Audioquest brush takes off the dust...that's all I do. My records are quiet (CD like). If you do get peanut butter on the records, get a steamer (about 20 dollars or so) which will take off anything serious.
Stringreen---Buyers of used LP's especially need a machine IMO, but also anyone who desires to remove the mold-release coating on new LP's.
I clean new LPs and anything else I want to listen to from my old stuff…I feel weird playing something I haven't cleaned, as if I'm insulting my turntable (or at least the cartridge). Once…they only need to be cleaned once as they have no opportunity to get dirty.
Wolf/BDP24,
I sympathise with all 3 viewpoints above. There is more than one strategy unfortunately. Folk have varying amounts of disposable time and the size of their collections may make it a physical impossibility to clean all their LPs before they expire ;^)
For example in my case I don't casually listen to the HiFi or use it as background but set aside time for 2 long sessions of 4 hrs per week of dedicated listening. Even though I've retired aged 59, if I'm struggling to get the listening time how much more difficult would it be to spend 25 minutes per item deep cleaning?

The good news is that vinyl purchased new from 1970 onwards in most cases has a remarkably low noise floor and still manages to sound "like new" on a properly set up half-decent rig. If one is disinclined to clean LPs regularly there are other options.

While RCMs have now become de rigeur, please remember that in the first decade of Linn LP12 world domination that the Linn mantra was to allow the stylus to clean the LP for you then to clean the stylus afterwards. Despite this apparent “negligence” no one ever complained that their LP playback was either noisy or lacking in resolution. Indeed it was quite the opposite! ;^)
My past perception isn’t questionable as long as those old LPs withstand current comparison (or indeed sound preferable) to CD.

I admit that if I hear a bad case of MRA on a newly pressed LP I will get it cleaned by a bureaux or agency for a small charge (or you can even buy from record shops that will clean LPs you on a Loricraft or Keith Monks. Admittedly they will add a small surcharge to the price while accepting that there are those who will not trust anyone other than themselves to perform this task. For this reason they usually offer the courtesy of using their equipment to enable you to do the job yourself.)

Earlier in the thread it was mentioned that there were thousands of satisfied Magic Eraser users. Anything that exerts a “downward pull” on the stylus suspension creeps me out. I also feel the same about sticky gels that perform a similar action. You won’t catch me using this method but that’s just a personal thing and it shouldn’t stop anyone else who wants to risk it.
I know I'm going to take pelters for this but a dry carbon brush is the only excitement my stylus is likely to see. Absurdly, my current regime is far more thorough than when I was a flat-Earther but the LPs survive regardless! ;^)

We can become obsessive about the process. Sometimes we need to take a deep breath and step back.