Map,
I merely pointed out that Buddy & co are often cited as the original power trio, not that I'd choose them. In the context of the time, I get the argument. Given the music of their day, The Crickets were probably a lot closer to a power trio than they seem today.
I went with Johnny Kidd because, even tho there's still a fair bit of twang in the music, his trio sometimes ventured into the distorted territory that bdp (correctly IMO) identifies as characteristic of the power trio. I also agree that Link Wray was an early adopter of the power chord. That's a key part of the musical approach that effectively defines the hard rock/power trio to many listeners.
As to damaging the drivers in a cabinet, my understanding is that Dave Davies (The Kinks) usually gets credit for being the first to put knife to cone. If Link went there first, he deserves even more credit than I already accord him.
The problem of a "ringing third" with high powered amplification probably led to the power chord IMHO. This is a significant example of technological innovation driving musical innovation. (How much of Mozart's music vs Bach's is attributable to the shift from harpsichord to piano?). In my book, Link Wray gets historical kudos (tho admittedly not quite at Mozart's level) on that basis!
Depending on how you want to define a "power trio", your choice of the first example will change accordingly. Per my first post, I still don't think there's a definitive answer here.
I merely pointed out that Buddy & co are often cited as the original power trio, not that I'd choose them. In the context of the time, I get the argument. Given the music of their day, The Crickets were probably a lot closer to a power trio than they seem today.
I went with Johnny Kidd because, even tho there's still a fair bit of twang in the music, his trio sometimes ventured into the distorted territory that bdp (correctly IMO) identifies as characteristic of the power trio. I also agree that Link Wray was an early adopter of the power chord. That's a key part of the musical approach that effectively defines the hard rock/power trio to many listeners.
As to damaging the drivers in a cabinet, my understanding is that Dave Davies (The Kinks) usually gets credit for being the first to put knife to cone. If Link went there first, he deserves even more credit than I already accord him.
The problem of a "ringing third" with high powered amplification probably led to the power chord IMHO. This is a significant example of technological innovation driving musical innovation. (How much of Mozart's music vs Bach's is attributable to the shift from harpsichord to piano?). In my book, Link Wray gets historical kudos (tho admittedly not quite at Mozart's level) on that basis!
Depending on how you want to define a "power trio", your choice of the first example will change accordingly. Per my first post, I still don't think there's a definitive answer here.