If I like sound of Ayre Integrated I would Like...

Well, if you are only interested in SS, I would consider the new Pass Integrated, not sure you would like it better than the Ayre, but I consider both Ayre and Pass to be at the pinnacle of SS design. You comments on tubes makes me wonder what tubes amps you heard and with what speakers, it doesn't sound like my experience with tubes at all, but that is another debate and if you want SS Pass is certainly a worthy alternative.

If you like the Ayre, why don't you just get that?

Dismissing tubes to a "nostalgic novelty" reflects a very narrow viewpoint and someone who either has precious little experience with modern tube amps, or has not discovered the wonders of Q-tips :-)

Strange, I never heard tube amplifier with clear open treble or tight controlled bass.

Which tube amps have you listened to? My friend's VTL 450's in the context of his system most certainly fit that description. The SET amps I prefer may lack in the ultimate low end control, but they certainly have upper extension and no SS, including the Ayre, could touch them for soundstaging and sheer palpability of performers in a 3-dimensional space behind the speakers ("natural presence" in spades). The Ayre did excel in other areas, certainly bass control being one, but I'm willing to sacrifice some of that for the strengths I prefer. It's all a trade-off and IMO there is no one perfect solution that does everything just "right". You just need to find what works for you. I do respect that it sounds like you know what you want, but don't understand what it is that you are looking for beyond that; Perhaps if you were to define what it is that the Ayre did not have that you are after, others may be able to be more specific? As I said, I haven't heard an SS amp I liked as much as the Ayre I auditioned, but then I don't get out much....too busy waxing nostalgic on the sounds of tubes.

I have to disagree with Jax2...I have an Ayre v1xe connected to a K1xe, and the soundstage is as wide as depicted on the recording. If it's a nightclub jazz recording..no, but listening to Das Lied von der Erde by Tilson Thomas et al, you are transported to the event including the air of the hall. There are tubed units that induce "air" into a recording...not needed or wanted.

The tube/SS argument might go on forever (it will) - maybe we should just stick with the OPs original intention, but I still think that the reason the Ayre sounds good to me is that it has some tube qualities - oops, didn't mean to to that. Yeah, go with the Ayre if you like it, or try the Pass.

Tube SS argument will go on as long as Last fo dynosaurus still alive. By dynasoaurses I meant some Chinese/Russian factories that still make tubes on equipment they pu togetaher in 50s for defence purposes, as well as all those dudes that used to follow Greatfull Dead around.
Seriously, why do I see so many requests for :Recommend me a warm sounding.....recommend me a smooth sounding....etc.
Tubes vs. Transistors argument has very little to do with techonology or measurements. It is all about pleasant distortion that Tubes produce, hence "warm sound".
Well I am not loking for soft sound or warm sound or whatever you call that tube-distortion that you beaming through set of Sonus Faber speakers.
Don't mean to sound harsh, but hey, some old dudes love to drive classic sports cars, not becasue they offer better performance but just casue they look nice, I get it.