Anyone HEARD the qol 'signal completion' device?


An ad in TAS... touting this box. I remain skeptical but would like to know what your impressions are if you have heard whatever it does!
128x128woodburger
Stephaen on the 6Moons site has written an extensive review trying the QOL between a variety of systems and listeners with fairly non-conclusive, and frankly, underwhelming results.
It seems that it's effects are subtle, but my biggest issues with the QOL arise in his conclusions. One is that it is VERY system dependent, album dependent and even song/recording technique dependent. How can one have long term consistent enjoyment if the effects are going to be dramatic one moment and possibly detrimental the next?
Additionally, I really have issues with the presence variation when the system is switched in and out. I fully understand the makers state there is no increase gain built in but such a spike in presence does not allow a true a-b comparison to be made.
Last of all I have philisophical issues with such bold claims of the groundbreaking revealing of hidden info being made but with such restricted discourse, so that the claim must be accepted at face value. My criticism applies not only to the QOL but other tweaks such as the Lessloss Blackbody which also claim much but deliberately eschew some explanation.
My guess is that over time, this device will fade in the high end specialty arena but may become ubiquitous in mobile MP3 devices, HT processors and even TV's, phones and car radios. It might appeal more to the masses than to the high end purists. Time will tell.
But with that ability, my question is then, why do so many recording's sound so crappy?
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Simple, laziness or incompetence. That combined with a new generation that prefers lossy and/or compressed files where quality is not a priority, but convenience is allowing the music to be played on hand held devices suitable for multi-purpose uses.
Thanks to all the responses on this thread. What I have derived from the messages I read was that, you can get very good sound from an untreated room using QOL, OR the QOL "effect" is like getting your room treatment in place, where everything sounds just like the recording engineer intended while recording the music. It was mentioned earlier that QOL throws the room out of equation. At the moment room treatment costs suits me more than the QOL. From the last few messages, it is also looks like room treatments will not be system or recording dependent, unlike QOL.
You detractors broaden my cheshire grin, especially those that quote reviews by others than themselves.