I haven't found that all of the RVG CDs I've bought have sounded tipped-up, but tipped-up or not they're certainly smoother texturally than most of the older Blue Note CDs. But to the point of your post, you can't know, between the response changes imposed by the original recording, the remastering, and your system and room, what the original performance really sounded like -- and even if you could, as I said it couldn't be accurately captured and reproduced anyway. So for all you know, when you adjust the tone controls to make the end result sound 'better' to you, you may well be making it sound more faithful to the original performance as well. Stop "beating the horse" (and yourself) and just ride it.
Beating the RVG Horse
I wanted to throw yet another question out there related to the Rudy Van Gelder re-masters.
If you read any of the previous threads on this topic you might recall that I'm not a huge fan of the sound quality, generally finding the recordings to sound thin and tinny.
Ordinarily I try to stay away from the tone controls on my pre-amp, or as Rotel calls it “tone contouring” (I guess it’s sort of an internal EQ with four pre-set levels plus neutral). I try to stick with the sound as originally recorded on the grounds of trying to get a sound as true to originally played as possible. I do confess that this position is born out of some sort of ‘don’t mess with mother nature’ philosophy rather than any consideration to whether or not it sounds any better. Neurotic or not, I generally equate these things to touching up the Mona Lisa because you don’t like the color of the dress.
On the other hand, I have recently started playing around with the tone control on my pre-amp and found that –particularly with some of these thin RVG recordings, they do help to fill out the sound, even if it is by artificially boosting the bass.
Anyone have any thoughts on this kind of fiddling?
If you read any of the previous threads on this topic you might recall that I'm not a huge fan of the sound quality, generally finding the recordings to sound thin and tinny.
Ordinarily I try to stay away from the tone controls on my pre-amp, or as Rotel calls it “tone contouring” (I guess it’s sort of an internal EQ with four pre-set levels plus neutral). I try to stick with the sound as originally recorded on the grounds of trying to get a sound as true to originally played as possible. I do confess that this position is born out of some sort of ‘don’t mess with mother nature’ philosophy rather than any consideration to whether or not it sounds any better. Neurotic or not, I generally equate these things to touching up the Mona Lisa because you don’t like the color of the dress.
On the other hand, I have recently started playing around with the tone control on my pre-amp and found that –particularly with some of these thin RVG recordings, they do help to fill out the sound, even if it is by artificially boosting the bass.
Anyone have any thoughts on this kind of fiddling?
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- 27 posts total
- 27 posts total