dissapointing audiophile recording

The only one I have is a Chesky Audiophile Gold cd "New York Reunion." It's well recorded but seems somehow lacking in emotional involvement. I had high hopes for it before purchase. At least it cost little or nothing.

Spent a bundle on Chesky SACD of Christy Baron at the Montreal audio show. Good sound: uninvolving signing. I feel cheated out of my hard-earned cash. C'est la vie!

Anyone remember those late 70's direct-to-disc japanese recordings of 10 minutes of drum solo?
Had one, played it once, that was that, don't remember what happened to it.

Hi Schipo, Allright lets agree on Montovani and change the Readers Digest "festival of light classical music" to Longines Symphonette Society wonderful recording to the "Family library of beautiful listening". I hate to offend anyone so Kenny G is now audiophile approved!

Seriously, dont recordings have to have to meet a certain criteria? You can not have it both ways Schipo, you started the thread with Kenny G sucks but then go on to defend a lousy recording, pressing and music. Well which is it? I am sure that there are people who love KG just as much as you like light classical recordings, perhaps KG is their stepping stone to Ornette Coleman.
Bob

In classical, the Reference Recordings recording of Respighi's Church Windows is the finest recording of the worst performance I've heard of that piece. Also, the Water Lily Acoustics recordings of the Dvorak overtures with the Philadelphia Orchestra is an excellent recording of fine performances that accurately depicts the driest acoustical venue this side of an anecholic chamber--really not that much fun to listen to it. And some of the early Telarcs featured some lackluster or, to be charitable, "unusual" performances from what you would have hoped would be top-flight orchestras and conductors, as well as the overly-ripe bass drum in their early years.

J. Gordon Holt used to have a rule that the better the recording, the worse the performance. In classical recordings, that was probably true for a while, but the last decadse or so the audiophile labels have been coming up with some fine conductors and orchestras with decent performances (a benefit of the major labels scaling back), so I don't think that holds true anymore, at least as a generalization.