Robert & Alison-Raising Sand

Caught a filmed performance on the tube, something similar to Austin City Limits but I think performed in Memphis. It was hair-raisingly good, Mark Ribot really added some fire. I am more interested in Plant's recent solo effots than Led Zep, and think the voices combine very well.

Berkbob, if you're referring to "Crossroads," I caught that on our Music HiDef channel. I agree, it was very fine. I was quite impressed at how well all involved managed to recreate the acoustic ambience of the recording live on stage. I quite enjoyed Allisons reworking of "When the Levee Breaks." Everyone seemed to have had a great time together making music.

Knownothing, I have it on vinyl like I stated. I think it's well done and like a few others my appreciation for what this duo is doing grows. I think some folks dislike this album because it's not Plant being Plant or Krauss being Krauss. Outside of expectations, I do think it is recorded and mastered well and on vinyl, its a keeper for me.

Getting over the "easy listening" feel, well that may be another story. Like Olson said, its a fine winter morning listen, which I have plenty of here in Montana. Maybe thats why it resonates with me. That desolate alone sound.

I think the recording is so rich and filled with harmonic complexity that most systems reproduce it as being a poor recording(which it's not). It's not the best recording by any means but, it ain't that bad. It reminds me of my Elvis Costello Allen Toussaint "The river in reverse" cd. I used to think this disc was poorly recorded but, after making some upgrades to the rig in the last 6 months it turns out to be a very good disc indeed. It seems that if recording are recorded with any weight or rich harmonics that most sysyems just can't resolve it out.

If anything, the CD is recorded a little hotter than I like. This is a common problem these days as engineers mix recordings to shine when compressed and played back on an iPods. I still think that the production is excellent with lots going on in the rhythm, tone and timing departments.