Jethro Tull questions...


I don't know much about this groups' discography, only the songs played on classic rock radio.

I am not really interested in purchasing a greatest hits compilation. I would like to purchase the separate CDs, but I would like some feedback as to how their CDs sound.

I tried to find a remastered version of "Aqualung" but apparently only the gold disc exists and it usually can be found on Ebay for hundreds of dollars.

So my question is, do Tull plan on remastering this album?

Also, what about War Child, Benefit and Thick as a Brick?

Are there remastered versions of these albums available and how do they sound?

Thanks very much in advance.
berzin
Aqualung will probably never sound good since it was recorded badly. Heavy Horses is one of the best sounding albums as is Crest of A Knave, Broadsword and Stand Up. The MoFi releases are better than the new remasters, at least the ones I have are.
Well all of you have beaten me to it.. same comments on Stand Up, Benefit, and the RRK flute comment by Viridian.
I have 'em all on vinyl so I couldn't tell you what to buy on CD..
I have nearly every album on either vinyl, cd or both, can't even remember the sonics since I haven't listened to them in so long. Happy to see this posted, have to include them in this weekend's listening sessions. Its all good, although the earlier the better for me. The critics nearly always hated them, used to call them Jethro Dull. It may have been Ian Anderson pissing off the press, he reportedly had a condescending attitude towards them.

Also saw them live back in 73, just after Passion Play was released, great concert. Ian Anderson was a madman on stage, a menacing presence. I remember pre-concert, this huge projection screen with the dancer from the cover of the Passion Play album. The lights in the house up, talking to friends, whatever, look up at the screen and you swear the dancer moved. You then watch the screen and the dancer moves just the slightest perceptable bit, over a period of fifteen, twenty minutes each movement slowly picks up in pace until just prior to them coming out on stage the dancer is moving in real time. Probably doesn't sound all that impressive, but having smoked a lot of that sweet stuff made it strangely surreal.
Something of interest:
I saw Tull live in a small auditorium in Frankfurt, Germany. This was like Feb or March 1970. The audience was about 70% US soldiers (me being one) and 30% German. Tull was fantastic and the Americans were clapping, yelling carrying on and smoking Mary Jane. The Germans displayed only polite applause.