Pink Floyd Dark Side comparison?

Brad:
Its just my impression, playing both versions back to back on my system (B&W 804s, HSU sub, Parasound JC1 (2) power and JC2 preamp, CA 840c feeding digital to Bryston BDA-1 feeding the JC2).

I did not mess with the levels, as the level of compression between the two versions seems to be different, so what level do you pick to standardize on? The bass on the re-master is more enhanced, but things like the bells/chimes in "Time" just don't jump out at you in the re-master like they do in the original. This may not be a bad thing for some listeners, its just that I prefer the enhanced dynamics over the re-master's more reduced levels. Also, space and air around vocals and esp the background recorded vocals and sound effects seem to be a bit muted in the remaster. Maybe its because the master tapes are getting so old now and some details are beginning to fade? These things are not killer issues, and the re-master still sounds good in any case.

I did find "Animals" was much better in the re-master, and found that "Wish You Were Here" was about a wash to slighlty better in the remaster. The bass enhancement is really impressive in the pre-amble to "Welcome to the Machine" compared to the original.

And please understand (as most do) this is my opinion and I would be the last to suggest others should not listen for themselves. What I value with regards to sound imaging, depth, air etc. may not be shared by others with other systems and hardware.

Finally, I applaud folks like Mr. Guthrie in trying to make a music classic even better. We do appreciate his work. Now if someone like himself would re-master the Blind Faith album, I would be happier.

Ben:
"I find it strange the new version isn't better but I suppose these things are subjective but considering a lot of original CD's were badly mastered I find it a surprising result."

That was exactly my presumed opinion before getting the Guthrie re-masters. I assumed that my 80's version would be inferior to both an MFSL version or the 2011 remaster. But after comparative listening, my opinion changed. I think it may have something to do with two competing factors. The early versions suffered from immature technology, but the master tapes were quite a bit younger and fresher. The later remasters have the advantage of better digital technology but now have to deal with tapes that are many years older. Just guessing, of course, but we all know magnetic tape ages, even if kept in temp controlled vaults, 40+ years is a long time.

I was surprised that the re-master did not exhibit larger differences, or improvement. All I can say is make the comparison for yourself. If you don't have an 80's version, then the point is mute as the re-master sounds quite good on its own.

the real draw for.dsotm is the surround sound mixes for those that care to indulge...i would agree with Dhl.assessments...the new stereo mix is not a quantum leap from previous releases...however I dont own the 80s non.mofi version...i tend to listen to the 03 hybrid...that being said...in total agreement with new Animals remaster...extremely well.done

I have heard the whole suite of Darkside in the boxset this weekend and love the 5:1 mix the best. I think Guthrie did a superb job. I can't wait to play them at a soundcheck on our arena rig. I know everyone adores the Parsons mix, but I really do love the new remasters. I especially love Us and Them and Gig.

The Best record of DSOM is (SMAS-1-11163)
"Rainbow" label.