Pink Floyd on Pandora

Marty, yeah, shakeouts, acquisitions, etc. seem par for the course when it comes to these kinds of new things. It'll be interesting to see where it goes. Brand/label owned internet music services would seem in line with what has been going on in the entertainment (and news) industry for quite a while, only internet music services and stations are the newer kids on the block. I think it safe only to assume that as long as there is money to made in the music industry, someone will step in to make it.

Well, it's not exactly anything new. Record labels, managers, publishing companies, etc. have been getting musicians and songwriters to sign away the income from their music since music has been recorded, and probably well before that.

If we could get the relatively few artists who make huge fortunes playing music to bankroll an internet streaming service that treated artists fairly, we might make some progress with that problem.

This is a two way street. Some might suggest that artists (at least the ones that are relatively unknown or extremely ambitious) should be paying Pandora, and not the other way around. I own all of Joe Bonnamassa's CDs. I might not have heard him if not for Pandora.

Danaroo has a good point which I agree with. Those guys need Pandora. Pink Floyd does not. Pandora might need Pink Floyd so they can use them as a seed to help people find other lesser known similar artists. Even newer popular money making artists might need Pandora and their ilk as a means of helping not fall off the map as their star fades. Artists I hear on Pandora like Rhianna, Flo Rida, and many others. Artist like Pink Floyd who are well past their prime but still manage to retain popularity, less so, but not totally. So I could understand where Pink Floyd thinks they are not getting a good deal. Of course, these kind of acts are not starving artists and in most any other industry would be fully retired by now with NO new income coming in (other than retirement savings, Social Security, etc.). So they really need to not buck the system too much and be thankful they are still receiving royalties for their past work.

The holy grail for the music industry right now is to create a cloud based subscription service locking consumers into a monthly payment that can be raised over time like the television cable model. The complexities come into play when the cash flow is carved up. Of course, the cable tv model is under pressure from the internet viewing model as technology continues to progress. I am encouraged by the resurrecting vinyl movement even though I own a ridiculous number of cd's. Music services are great in the car, but I still enjoy tangible assets with cool artwork, liner notes, and a full album of songs. Getting everyone associated with that production paid is the challenge.