I’m for the MMF 7.3.
The power supply/cable in turntables of this calibre is perhaps the least important aspect of design.
But since the MMF 7.3 has a DC motor, I consider that a significant advantage
Here is what I consider the most important design points...
- dual-plinth construction
- one-piece full carbon fiber tonearm
- counterweight’s center of gravity is level with the stylus tip, is decoupled from the arm, and acts as a resonance damper
- completely isolated/decoupled DC motor with 33 and 45 rpm speed controls located in the front left corner of the turntable, thus canceling any potential vibration from the motor/belt to the cartridge
- motor sits on its own resonance-damping puck
- precision stainless steel main bearing sheathed in Teflon® for noise-free, fluid operation
- non-resonant acrylic platter with metal screw-on record clamp and soft felt mat
- adjustable tip-toe feet with anti scratch cups
- low-noise, fully-manual belt drive design
Over a 30 year period I have implemented all of the above (and more) on my circa 1981 Rega Planar II, to the point where the only original Rega parts left is now the dust cover and the on/off switch - hey, I saw no need to discard something that actually works well :-)
The MMF 7.3’s high-quality gold RCA connectors and detachable phono cable is not the absolute best method of connecting to the phono stage, but this can be corrected later by installing a one piece harness if desired
- I found it much better than the cable on the Rega RB 250 Arm I tried, but since then, I have also replaced the entire arm with one from Audiomods.
- but a good Interconncet "specifically for phono" is a very good alternative.
The MMF 7.3 also offers an optional Ortofon 2M Bronze cartridge with a nude fine line stylus ($440 value) supplied cartridge is properly aligned and mounted is a bones and makes for PLUG & PLAY, quite literally
I would also try playing albums without the felt mat - I happen prefer no mat on my acrylic platter.
Hope that helps - Steve