Regarding the Soul Response Graph:
I had an email exchange with Sean Casey regarding the smoothness of his published Soul Superfly response graph and its credibility in the context of prior measured response of other Zu speakers, most notably JA's empirical evaluation of Essence in the Stereophile review, because the question was raised here and I didn't have a definitive answer.
Sean promised to post notes on the measurement scheme in a FAQ on Soul. Here's part of his narrative to me in an email exchange:
"Yeah, several have questioned how we have achieved such a more or less smooth amplitude response with Soul when Essence had large problems in the presence region as measured by JA in Stereohile. Essence is not Soul, nor Druid. But before I get too far into things, let me say that Zu uses tests and measurement technology to assist in the designing of a good sounding, to-the-max-shove, tone-rich loudspeaker.
'We use tests and measures as tools to speed the process and fine-tune what we hear or what we want to accomplish. Building a good-sounding loudspeaker is best done with the ear as arbiter of tone, using tests and measures to assist in drilling down on a problem, realizing new insight, and absolutely in matching and quality assurance systems. Amplitude response without such things as phase and group delay measures are just a fraction of the equation. Essence runs the ribbon tweeter down lower in the bandwidth than Soul. Because of this the 10" full-range driver has significant overlap with the ribbon tweeter, and because of this there will be constructive and destructive interference between them. These interferences and their graphed patterns are highly point measured dependent. With Soul we focus the electrical high-pass filter very high, essentially 20kHz (note impedance graph, blue trace), and also reposition phase to better match the unfiltered FRD. There is still overlap between the two drivers, but much less. And the overlap that is there is phase matched and time-aligned. The results are a much less ragged looking presence region in the amplitude graph, than JA measured with Essence. Is all this audible? Maybe, and it depends on other factors, but for sure it makes for a good looking amplitude response!"
That's the preamble to the tech notes you'll eventually see on Sean's web site but I thought some of you might like to see his initial comments now. I will say that Sean's explanation regarding reduced overlap between FRD and supertweeter, plus the attention to phase-matching the overlap that's present, corresponds to what I hear as a distinct cleaning up of the midrange through top-end anomalies remaining in the Druid 4-08. When combined with the sharply-improved bottom end and the overall increase in dynamic aliveness, Soul Superfly comes out in all ways a better speaker than its older brother.
Phil
I had an email exchange with Sean Casey regarding the smoothness of his published Soul Superfly response graph and its credibility in the context of prior measured response of other Zu speakers, most notably JA's empirical evaluation of Essence in the Stereophile review, because the question was raised here and I didn't have a definitive answer.
Sean promised to post notes on the measurement scheme in a FAQ on Soul. Here's part of his narrative to me in an email exchange:
"Yeah, several have questioned how we have achieved such a more or less smooth amplitude response with Soul when Essence had large problems in the presence region as measured by JA in Stereohile. Essence is not Soul, nor Druid. But before I get too far into things, let me say that Zu uses tests and measurement technology to assist in the designing of a good sounding, to-the-max-shove, tone-rich loudspeaker.
'We use tests and measures as tools to speed the process and fine-tune what we hear or what we want to accomplish. Building a good-sounding loudspeaker is best done with the ear as arbiter of tone, using tests and measures to assist in drilling down on a problem, realizing new insight, and absolutely in matching and quality assurance systems. Amplitude response without such things as phase and group delay measures are just a fraction of the equation. Essence runs the ribbon tweeter down lower in the bandwidth than Soul. Because of this the 10" full-range driver has significant overlap with the ribbon tweeter, and because of this there will be constructive and destructive interference between them. These interferences and their graphed patterns are highly point measured dependent. With Soul we focus the electrical high-pass filter very high, essentially 20kHz (note impedance graph, blue trace), and also reposition phase to better match the unfiltered FRD. There is still overlap between the two drivers, but much less. And the overlap that is there is phase matched and time-aligned. The results are a much less ragged looking presence region in the amplitude graph, than JA measured with Essence. Is all this audible? Maybe, and it depends on other factors, but for sure it makes for a good looking amplitude response!"
That's the preamble to the tech notes you'll eventually see on Sean's web site but I thought some of you might like to see his initial comments now. I will say that Sean's explanation regarding reduced overlap between FRD and supertweeter, plus the attention to phase-matching the overlap that's present, corresponds to what I hear as a distinct cleaning up of the midrange through top-end anomalies remaining in the Druid 4-08. When combined with the sharply-improved bottom end and the overall increase in dynamic aliveness, Soul Superfly comes out in all ways a better speaker than its older brother.
Phil