I think your conclusion w.r.t. filters may be a wrong conclusion based around the type of filters you were using. Different filter types have considerably different step/impulse response, independent of order.
You also have to accept that nothing in nature has 0 mass and infinite force so this concept of a pure step response is theoretical.
Add in some confusion from the likes of MQA and minimum phase filters in DACs which provide what could be considered an artificial output, i.e. they create something from the music that did not actually exist, and .... well draw your own conclusions. It is more a discussion at that point of euphonics ... what people like, not what is accurate.
Just sending a sound through air softens an impulse response. If you are recording an instrument really close to it, then adding the above minimum phase filters, you could create a very artificial response akin to having your speaker right next to the instrument, not the typical 10-10’s of feet away. What is even "natural" at that point?
You also have to accept that nothing in nature has 0 mass and infinite force so this concept of a pure step response is theoretical.
Add in some confusion from the likes of MQA and minimum phase filters in DACs which provide what could be considered an artificial output, i.e. they create something from the music that did not actually exist, and .... well draw your own conclusions. It is more a discussion at that point of euphonics ... what people like, not what is accurate.
Just sending a sound through air softens an impulse response. If you are recording an instrument really close to it, then adding the above minimum phase filters, you could create a very artificial response akin to having your speaker right next to the instrument, not the typical 10-10’s of feet away. What is even "natural" at that point?