At best, we recreate a convincing illusion when everything, including the source material lines up with the strengths of a system; compared to live, even an unamplified drum kit is explosive in reality and pretty hard to duplicate; my usual hang was a small club which seats 100 or so. Yes, some systems might have the power and air-moving ability at higher db but I’m not sure how nicely such a system would play in the upper registers at high volume- it would depend quite a bit on the recording as well as the system and associated components.
I don’t listen at rock concert levels at home. I saw King Crimson perform a few years ago, 3 drummers, Tony Levin’s stick bass went way down; playing the Live in Toronto vinyl the next morning was like a small scale reproduction of this (very good recording, that) but simply could not duplicate the scale, bass depth or levels of the sound system in a 2,000 seat hall.
I don’t listen at rock concert levels at home. I saw King Crimson perform a few years ago, 3 drummers, Tony Levin’s stick bass went way down; playing the Live in Toronto vinyl the next morning was like a small scale reproduction of this (very good recording, that) but simply could not duplicate the scale, bass depth or levels of the sound system in a 2,000 seat hall.