At the top of the line is it really all that different?


I'm writing about my experience with the top of the line bespoke gear. Not the insane one-of a kind that I'll never own but the really good stuff that say $50K each will buy.

I have listened to my personal favorite ARC vs. D'Agistino, vs. Bryston vs. Pass vs. the top Macs (no love lost there).  Wilson vs. Sonus, vs. Magico vs. Bryston T-10  vs. Maggies (!) vs. Perlisten. 

So many cables that I can't recall the names. 

I can tell a difference between the voicing of the products at my dealer but the difference is so subtle that in my home they are "nearly" identical. ( I know, I know but I said "nearly") 

I read reviews with all the silly superlatives that make the reviewed item sound heavenly and the "other guys" sound like the AM radio in my '67 Mustang.

I have had my ears checked and my audio sensitivity is "age appropriate" I'm 62.

I have 2 listening rooms- one is a dedicated properly treated room and one is a barn sized great room with anterooms on 3 sides. In my dedicated room I'm all alone with my music which can be really lovely but not often visited vs. the great room with my dogs, kids, and wife. I don't do critical listening there but I love full beautiful sound when the ones I love most are near. 

So, I would really appreciate thoughtful guidance to my quandary- is top end gear crowding at the top of the pyramid with very little difference? Are the glowing reviews colored or even deceptively presented?   Or maybe I'm growing weary of very little cost/benefit improvements as I climb the audio ladder .....please advise. 

 

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I found it helpful to attend a few different audio shows to see and hear the low/medium/high level gear. What can be most promising are the rooms with less expensive gear that sounds great. Then get to know the Co owners, designers, and talk with them about their designs and product parts qualities next. It’s more fun to be a value-shopper and can be rewarding.

It’s too easy to just go out and blow a ton of money on flashy gear and hope that you are settled with it later. Takes work to figure out what is right for you and going somewhere to listen to gear set up by others and talking with them about it can be quite rewarding figuring this out for yourself even more. It’s a journey for all of us.

This can also help to quickly figure out what you don’t like, that’s for sure, low or high cost. I’ve heard some high $ gear that just sounded quite agitating, fatiguing, at shows, with horrible matching and paring of gear too, lol. Best of Luck.

Tough topic to give a good response to. There are so many variables involved, and so much subjectivism that how good something sounds, and how well it works together are major elements. The influence of the room and setup are huge factors. Add the fact that we hear differently, and tastes vary and what’s considered good is rarely universal. An audio system is also a chain, where the weakest link is often what we hear from a system, which can hide the potential of some of the other components. Which leads us to the art of synergy and getting top shelf gear to play well together. The music selection and listening habits all play a factor. There’s just so many unknowns, and most of us only have meaningful exposure to a small fraction of what’s out there. Hearing gear at a CES almost doesn’t count, because the listening time is limited, and the environment is often not conducive to good sound and proper evaluation.

Add to the equation that price and performance don’t necessarily have a direct correlation, and there are definitely diminishing returns per dollar spent at some level. Some companies are more adept at marketing to a niche than they are at actually building better gear, and advancing the technology of audio. When I used to go to CES, immediately at the end of the each day of the shows, the business minded people would go out and entertain dealers, reviewers, and distributors after hours. But there was always a small segment of die hard audio guys who were in it for the pure love of audio, and they stay behind after hours at the show hotel, and would literally play with whatever gear they could get the hands on,often for hours until security kicked them out, then they’d get a late dinner wherever they could find a place that was open. To me, that was an indicator of the level of commitment to better audio....not necessarily with 100% accuracy, but I found it an interesting observation.  It'd be fair to say that some of them were poor businessmen, but brilliant audio guys.

As for reviews - Payola is alive and well in audio (as it is with many things). It’s not uncommon for reviewers to get some benefit for recommending certain products, whether through direct payment, acquisition of gear or other perks, side hustles, increased readership, etc. I learned years ago to take reviews lightly, and/or with some skepticism. At best it’s an opinion. At worst it’s a form of advertising and/or business decision.

 

It depends on you. Are you thrilled by the incremental difference? I am. It is what has been so rewarding about this pursuit. That additional realism and the fit with my aesthetic... which is now how well duplicates real natural music. Both aspects make me extremely happy. So, that appreciation brought me to identify Wilson, Magico, B&W, and Sonus Faber... but to purchase and enjoy Sonus Faber... because of its excellence and its fit with my aesthetic.

If I was a "good enough" kind of person... well it would be a complete waste of money. It is all about what you get out of it and that is a personality trait. This is typical of people across the spectrum. I hike, climb, and bike ride. I have a closet of Arctrex jackets that are both in themselves the pinnacle of design excellence and with the selection I have I can go out into sever conditions and be perfectly comfortable, with the perfect garment. It increases the enjoyment to me of the experience. Ditto... cameras, computers... etc.

There are times I find that being as poor as I am, that I am still terrified that my investment is not going to do any good. Then to find that it completely blew away my expectations. Hopefully the day that this doesn’t make a difference is a long way away for me.