Balanced inputs often offer 6dB increased gain. That can be valuable for a phono, worthless for a DAC.
What @cleeds said. ✔ unbalanced interconnects may pick up noise (such as RFI) in your environment with long runs. Balanced interconnects are mostly immune to this, but rule of thumb is to keep cables short if possible. Only need to be as long as required. Tiny amounts of gain can be lost with very long interconnects. So do keep that in mind. |
Yes, there’s a distinction. Are these “true “ balanced circuits/signal paths, or just XLR connectors for convenience? Charles |
Two questions: 1. Do your DAC and Phono stage both have differential balanced circuitry? 2. What source do you use the most? In my preamp a balanced input has 6 db of gain compared with RCA. I'd prioritize using XLR for components designed to optimize the signal path first then the source I use the most. |
This is only true if the equipment supports the balanced standard. Otherwise the gain does not change.
Almost all phono cartridges are balanced sources and most tonearms (including all Technics arms I've seen) are too. Your Parasound treats the balanced source as single-ended however. But it does have balanced outputs... So I would put this down to which source you want better fidelity since the balanced connection usually offers better sound quality. |
If my amp and preamp were fully differential I would care, but I’m single ended. If I had balanced amps I would probably seek out gear that was also balanced. As others have said there is a lot of gear that has XLR outs that aren’t really balanced. My DAC has both. They both sound identical and are the same output. It’s a $1600 up charge for a “balanced” output. They clearly state it in their literature, but for that much I would go up a rung up the DAC ladder. |
@charles1dad yeah semantics… The output is 6dB more. |
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