I always take off the dust cover when playing LPs. An old habit!
I always remove mine because the vibrations in the cover impacts overall sound quality The plinth should be free from all vibrations, so having a lid that can vibrate in sympathy to the music is causing those vibrations to be transferred
It’s easy to determine...
You can also checkout if the plinth is vibrating using the Stethascope also Regards - Steve |
@shiner3237 , If the dust cover is attached directly to the platform the plater and tonearm are attached too then it can be a problem open or closed. However on suspended turntables where the platter and tonearm arm are attached to a sub chassis that is suspended within the plinth and the dust cover is hinged to the plinth isolated from the plater and tonearm, dustcovers are a huge advantage. They protect the record and tonearm from dust and attenuate the sound getting to the cartridge by 10 dB and since they are isolated from the plater they can not pass on any resonance. They are hearing protection for your cartridge! Turntables that are designed like this include some Thorens designs the Linn LP 12 and the Sota turntables. People who do not use a dustcover during play are grinding incidental dust into their records. You you have a turntable that is not suspended and isolated and can not use a dust cover during play the solution is to get an isolation platform and have a dust cover made to fit around it. IMHO if you can not use a dust cover it is because your turntable is poorly designed. (that should raise some eyebrows:-) |
Theoretically, a relatively inert (softer polymer) dustcover absorbs airborne sound waves--when closed, attenuating them before they reach the air around the tonearm, cartridge, stylus, plinth, and turntable base. That said, I use a Linn LP12 with the original dustcover; and I can’t discern a difference in SQ between listening with the cover off and listening with it closed. So I follow my dealer’s recommendation to listen with the cover closed. Then again, my tin ears” can’t tell what color the walls in my listening room are painted either. ASSOCIATED EQUIPMENT: :Linn Akito III Tonarm Linn Kandid MC Cartridge Anthem STR Preamp (using integrated MC phono preamp) Black Ice F35 (valve) Amp Martin Logan EM ESL (electrostatic) Speakers Martin Logan Dynamo 800X Sub Audio Magic Interconnects Off-white Listening Room.😉 |
This question (dust cover or no dust cover) comes up every 6 months or so. It is quite likely that, if SQ is the sole determinant of what to do, each person must listen and decide for his or her self. Because first of all there are differences in how different turntables mount the dust cover, which has an effect on resonance and energy dissipation, and two, each of us is limited to one pair of ears, one brain, and one set of biases. I cover the platter when my TTs are not in use, sometimes with a piece of cloth, taking a cue from the Kenwood L07D, which came with a lucite cover in the shape of an LP; it has a hole in the center for the spindle, over which hole is a convenient metal handle. They made no attempt to design a conventional "dust cover" that would cover the platter and tonearm during play. With all the millions of accessories that various companies try to sell us, I am rather surprised that no one makes such a "platter cover" for the aftermarket. |