Vinyl Buyers: The Premium Price Vinyl v. Cheap Vinyl Ratio

millercarbon is right about better records. Their prices WILL blow you away. Crazy. But I’ve never bought a record, nor will I, from there so I can’t comment on value.

What I’ve learned through the years is to research the best mastering of a particular record. Hoffman forums will help with that. Sometimes a remastered LP sounds a ton better than an original. Sometimes vice versa.

If you like jazz, buy Kevin Gray remastered Tone Poets and Blue Note Classic records
for $25-30 each. Buy from Amazon as they have a great return policy on any defective records.

I buy a ton of remastered records, some inexpensive some not. But you need to be selective about it.

Analogue Productions sells a lot of remastered LP’s for reasonable to slightly higher prices. Some they remaster and press with their company QRP, others are from good companies that do their own remastering and have outside pressing plants.

Discogs has sellers selling every kind of music. You just have to be certain of proper grading.

If you are looking for $5 used LP’s, sign up for Steve Hoffmans Forum and scan the classified ads. You’ll have a lot to choose from. You can usually count on proper grading and fair prices.

Jeff Beck Wired is one of my favorite albums. If you can, buy the Analogue Productions 45 rpm sets. Unbelievable. And their Blow By Blow 45 set is even mo' better. 

@ghdprentice , exactly my point. I have compared reissues with originals with digital files and as far as I can tell, using electrostatic speakers, it is a toss up. It depends on the quality of the pressing and the mastering. As far as digital is concerned going in and out of 24/192 is totally invisible. If a modern master is done correctly from a digital file it can be better than the original. It depends entirely on the engineer. Audiophiles were initially smitten by Telarc's early recordings. 
Vinyl adds "something" to the experience. You can call it distortion or whatever but it is like catnip to the human brain. Playing records via a digital front end takes absolutely nothing away from the experience. 
Pressings of popular music in the 70's and 80's, even new ones can be pretty bad. Modern pressings made with care can be better, quieter. Paying $300 for an old used record when you can get a modern copy for $24 dollars IMHO is not a great way to collect music when you could have gotten 12 records for the price of one. At the worst, if the music is good, the difference between an old pressing or a reissue is trivial. The reissue may even be better. When you can get used records for $5 from a collection you can fish through picking out the ones that were handled with care (no finger prints or scratches) it might well be worth it. I won't do it but I can understand the attraction. $300? No way Jay.

My newer pickup of Lou Reed Transformer on Speakers Corner is fantastic and a modern pressing. So, I don't think the adage of "older pressing are better". Plus, modern music by smaller artists on labels that care about their output is becoming more prevalent. Maybe not One Step levels, but definitely very nice. When I put on a record, I'm ok with almost seeing the artist perform in the room and don't always need to know what color his shirt on the stage is. 

Until recently I bought ~ 10 used originals / 1 new release or reissue. 

Lately, the Tone Poets, Blue Note Classic Series and other ALL analog reissues have me leaning in. IMHO, the success of these series and similar are the greatest trend in the hobby. BUY THEM WITH GUSTO!

To paraphrase Norman Maslov & Michael from Dusseldorf on youtube this week, just imagine if Don Was or some other big wig at BigRecordCo leans in we could be looking at similar series of Atlantic, Epic, A&M, etc. 70s rock albums, That is what I'm dreaming of...Cheers,
Spencer

I have learned from experience and almost never buy audiophile reissues of any kind any more. Not after hearing Hot Stampers! Come over some time vinylshadow and hear for yourself.  

Had a guy one time wanted to do the comparison. He likes Fleetwood Mac Rumours so played him that first on a really nice vintage original. Sounds great and I can understand why people think they have their own Hot Stampers. I have the Nautilus half speed mastered reissue, no point playing that it is digitally remastered making it the worst of the lot. Then I played him an audiophile reissue 45 that is even better than my vintage pressing.    

At this point he says, "That is gonna be awfully hard to beat."   

"With both hands tied behind my back," I replied. Having Hot Stampers I hardly ever play these other copies, it was actually hard for me to put up with this level of quality, but worth it to demo I guess.  

So then I put on my White Hot Rumours. Afterwards Mike admitted now he can understand why I say it is better to have a few of these than a pile of lesser stuff. Crazy expensive, but crazy good too, so totally worth it.  

Last time I saw the Mingus on there it was a White Hot for I think $600. Awful lotta money. But then I have a record it is a real treat to play, something I will never hear anywhere else. When people come over you should see the way they lean in, captivated by that Hot Stamper sound. That never happens with the $35 reissue.   

Come and listen. You will see.