I used to think pricey interconnects were snake oil...


But recently I had a chance to test my old free cables vs Audioquest Red River and then Mackenzie. The difference was subtle, but definitely there with each upgrade.

I guess reluctantly I am a believer now.

saulh

Although I’ve been involved in audio for decades, I never really went down the high end cable rabbit hole. That’s probably because when I built my biggest/best system, in the mid-80s, the uber-expensive cable market was just getting started. Then many years later, most of my audio gear that matters is jammed into a home office/desktop system that’s cramped and difficult to swap cables in/out of.

But recently I picked up a used pair of speaker cables (Virtue Audio Nirvana) and wired them in place of the inexpensive AQ cables I’ve used for 4-5 years. There were immediate and positive sonic changes, pretty easy to hear. Especially obvious was the greater depth, impact, and timbral nuance of the entire bass range. Big success.

Last week I finally picked up a use interconnect I’d read very positive things about, the Harmonic Technology Truth Link, a heavy, overbuilt RCA IC. Wired that in between DAC and tube headphone amp (Icon Audio HP8), and damned if that very good transformer-coupled amp suddenly sounded better. Another big success.

(I’m headfirst down the cable rabbit hole now...)

My experience has been that I can get various very inexpensive interconnects that all sound indistinguishable. Fortunately I subjectively find that sound to be good, and I enjoy the consistency, dependability and readily available supply. I’ve tried more expensive cables that struck me as possibly sounding different, but never in a way that evoked a clear preference.

For those who do perceive and prefer the unique sounds of certain cables, perhaps that can be seen as an unfortunate expense. Or, a fun and rewarding avenue for exploration.

I don’t see much review of cheaper cables. You’d think there’d actually be a lot more variation between inexpensive cables, resulting in a lot of very interesting perceptions to report on, with more expensive cables becoming increasingly difficult to distinguish from one another on account of their approaching perfection.

I should point out that I have heard some degradation in signal quality from running single ended interconnects that were very long, and from attempting to use in-line attenuators between my DAC and pre-amp. Both of these introduced well understood and easily measurable problems. I am kind of curious to know if a 30 foot expensive single ended interconnect could sound noticeably better to me than a standard cheapy 30 footer. It seems if it is well shielded and low enough in any form of impedance, it should work. 

@asctim ”…My experience has been that I can get various very inexpensive interconnects that all sound indistinguishable.”

 

Yeah… of course, very inexpensive interconnects don’t make a difference or make a negative difference. No effort has been put into design, material choice, cost of materials… just like you can’t expect high quality sound out of a $19 CD Player. 
 

There is little point in reviewing inexpensive interconnects because they typically sound the same as the freebies you get with inexpensive components. Just to make sure I was calibrated to the market I have tried, Monster, Blue Jeans, Belkin… and a few others… completely worthless.

You need to audition some more than , Cardas, WireWorld, Transparent, and DHLabs. This will give you some perspective.

@asctim ...I don’t see much review of cheaper cables. You’d think there’d actually be a lot more variation between inexpensive cables, resulting in a lot of very interesting perceptions to report on,...

 

People don’t report much because there’s not a lot to talk about. I’ve tried a handful of various low cost cables over the years. I was able to confirm there were no giant killers. You essentially get what you pay for - unless you find great second-hand cables that someone is giving away at a very low price just to pass them along.

I used to use all WireWorld interconnects, but I found it difficult to fit them all into the spaghetti junction behind my equipment (six sources, phono stage, pre-amp, power amps, headphone amp). So I replaced them with skinny cheap interconnects. No difference to my ear. The only place where it does make a difference is on longer runs (pre-amp > monoblocks which sit behind the speakers) where cheapo interconnects pick up hum as they are not shielded.