Comparison of sonic qualities of some tonearms


I’m relatively new to the world of vinyl, listening seriously for probably only 2 years.  Of course, many big picture items (e.g. turntable, phono stage, cartridges) are discussed extensively on this forum, but I haven’t seen much discussion comparing different tonearms.  I would be interested to hear about different people’s experiences with different tonearms, mentioning the audible advantages and disadvantages of each tonearm, realizing that there is no perfect sound, although from what I read about others’ experiences, SAT tonearms may come closest, albeit at a very high price.  

drbond

To "compare" arms, one needs a 2/3 arm setup with similar cart, plugged into multi input phonostage-both arms on LP playing.

Now you can start talkin...

If there's someone who actually does that, I'm envious you have the time/resources for such an activity.

This disqualifies most VTA towers. People who insist on them need to find themselves a good hobby like cooking or basket weaving.

Either/Or reasoning, common among true believers and propagandists, is a rhetorical fallacy that undermines the force of any argument in which it appears. Reductio ad absurdum is likewise unconvincing.

@tablejockey 

Yes, that’s why I figure that there is no thread comparing tonearms, as probably only audio dealers have a valid experience with proper comparison of tonearms.  Comparing cartridges is a breeze compared to comparing tonearms.

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I upgraded my contemporary Linn LP12 with a Koetsu Rosewood signature from a Akito to Ekos SE (something like $4K vs $7K) a couple years ago. The upgrade was well worth the investment in terms of sound quality.. Sonic improvement did not involve tonal balance but, as I remember resolution and bass. But I did not take notes and don’t remember the nuances of the differences. So, that is about all I can say.