My background is in recording studios and I couldn't imagine trying to put a system together without first doing basic room treatment. Between standing waves and reverb time, I would find it impossible to evaluate gear. It's a somewhat trial and error process but there are some basic things any room should have.
Some rooms may have a fortuitous layout with slanted ceilings or non parallel walls that provide a good foundation. But they can hugely benefit from some well placed absorbing panels to reduce reverb time. Without that there will always be smearing and lack of focus.
Some people worry about a room being too "dead" but why would you want to hear anything that isn't from the source? The ambience you want to hear is embedded in the recording. The sound of your room only detracts from that. Consider that headphones eliminate the room so there's little reason to want to hear the room.