To those with multiple tables/arms/cartridges

'For more than 30 years I had only one turntable,one arm and one cartridge...' and than become member of this forum. I assume nobody would own more cars than just one if there were no neighbours with more than one. Besides there are many diseases which are contagious. In my case however I was straightaway infected with the tonearm sickness. I assume that I have some natural resistance against TT's disease which 'explains' the story above but with the added curious result that I owned 12 tonearms and still just one turntable. But on this one I installed two tonearms with, stupid me, fast headshells. Than with my participation in the MM thread I also learned to hunt for the 'carts of the month' on ebay such that in no time I become collector with more than 30 carts. Changing those in fast headshells + Basis Exclusive phono-pre which need to be opened for each sdjustment caused me at last to buy an second TT on which I installed my 'old love' the FR-64s. Actually it was Henry who 'caused' this change because he asked the question: ''why don't you use your FR-64?''
Henry obviously like to question many things but this thread of his has no sense whatever. We all know that there are no rational answers to those 'why' questions. So we are, so to speak, forced to invent whatever reasons to justify what we have done. How is one supposed to do that without tell tales? The rest of us than need to pretend not only to understand what other have done but also to feel sympathy and/or empathy for the guy in question and hope for some kindness in return. Considering 'some' anymosity between 'some' members I am very sceptical about this thread (grin).

I have 7 turntables set up ready to roll and many others in house. Some perfect classics (idlers, idler plus belt, direct drive) as well as new state of the art.

With all those, I end up using the most neutral, quiet belt drive table as on a wide variety of records it just shows more, has more dynamics, exaggerates nothing, just delivers what is on the record.

In the end, when you have a very low distortion device with extreme speed stability it just is more satisfying than more colored turntables, as alluring as it seems (before you do it) to have a "real warm table" for "easy listening" and others with other colorations. Colorations mean distortion is covering up true detail, and even on less than the best records, that gets old.

I have 3 turntables up and "running" at all times and own 5 total, if you count the broken TT101 I just bought. I use a highly modified Lenco for MM cartridges and the two others for various low output cartridges. The Lenco set-up feeds a tube MM phono stage, and the other two feed the phono section of my Atma MP1 full-function preamp. I have no idea why I do this, or how my audio life got so complicated. I am kind of like the derelict in Syntax's cartoon, except that this obsession did not make me poor. I guess I started out with an interest in learning for myself how turntables per se affect sound. I've also had some fun restoring or overseeing the restoration of some excellent vintage turntables, in the bargain.

Apparently my odyssey was a waste of time and money. Omsed has all the answers. Still, it's been fun, and I think I'm done.

Two tables, three arms active, eight cartridges. No method to my madness.

Omsed,
You don't mention arms or cartridges?